forum Virtual Creative Writing Club, anyone?
Started by @ninja_violinist
tune

people_alt 130 followers

@saor_illust school

so i wrote a thing
not very long
and its vv bad, ik
but hi i wrote something for once
and it wasn't for an rp
yay
~
As she sketched the last few lines of the dragon, Elara leaned back in her chair, stretching. She had finished it! Now all she had left to do was the lineart… and color. Although, she did think that it looked pretty good so far. It was unfortunate, when her happy mood was ruined by a notification. Just one singular notification, was enough to bring her back to the real world.

"dr appt @ 5 (in an hour)"

That notification by itself was enough to remind her that she was going to die. And before that, it was highly likely that she would be confined to a wheelchair first. She lifted her legs and hugged them close to her body. "I don't want to die…" she whispered softly to herself. "I don't want to die!"

Remembering that she hadn't quite updated her Twitter yet, Elara clicked onto her Twitter, quickly composing a tweet. "Hey y'all… I feel like shit today… and I don't want to die… but I mean, we all die in the end, right? Ahahah…" she read aloud as she wrote. Tears threatened to overflow, but she bit down hard on her lip, trying to hold them back. 'I can't cry… I've got to stay strong…' she thought to herself.

Elara spent the next fifteen minutes trying to compose herself, repeating over and over to herself, "You've got to stay strong… after all, we all die in the end anyways…" It wasn't like this hadn't happened before, either. She knew how to deal with this. Right? …right? At least, she knew what to expect when this happened. She usually spent about fifteen to twenty minutes trying to compose herself. She got up from the chair, trying to make herself presentable by slapping on some quick makeup, hoping it didn't look to badly, while also changing into some other clothes as well.

~timeskip~

The appointment hadn't been bad, it was just mostly scary. Going to the hospital, meant for her, that she had to come to terms with her own death. She only had a couple years left, (or less) and she was only 17! Seeking comfort, she called her friend, Lily. Their conversation went something like this:

Lily: Elara! My favorite Jupiter friend! Hello hello!
Elara: Hey Lily…
Lily: What's wrong friend? I can tell something's on your mind again. Is it your impending death?
Elara: Yeah haha, you know me too well… Can I come over?
Lily: Of course! I'll be waiting with hot cocoa!~

Elara smiled as she hung up. This was why she loved her best friend, Lily. Ever since her diagnosis about a year and a half ago, she had come to know her so well. Just by the tone in her voice, Lily could tell what was wrong, but never sounded sure. Of course, she was always right, though.

As she arrived at Lily's house, (which was only a couple blocks aways from her own house, so she didn't need to drive or anything) Elara called out to her friend, "I'm here, Lil!"

Lil was her childhood nickname, and she hadn't called Lily that in ages, but it just slipped out of her mouth. Elara didn't think that Lily would mind much, though.
(and here is where i left off, never ended up finishing it)

@saor_illust school

bleh
wrote several things last night
bc i was bored
and got inspiration
and yes, these are kinda dark
i know
~
for there she stood, looking out at the bleak darkness of the world around her. when will things begin to change? she asked herself, but she could not answer the question. the inky black that surrounded her, it swallowed up all the light inside and outside, leaving nothing but empty, empty, black. she tried to find hope in the bleak environment, but alas, there was none to be found. 'i appear to have lost hope,' she realised, speaking aloud in a small voice. the small light that had once guided her, kept her going, and made sure she stayed on the path, never falling off, was gone. it had disappeared entirely, never to be seen again.

but then he came. he came, with a light, an ever-sparkling light that never went out. 'here,' he spoke softly, offering it to her. 'take it, i don't need it anymore. after all, i've got more.'

he took a deep breath, as if he was beginning a long story, or perhaps a story he'd told many times. one he knew well. 'let me tell you a story,' he said. 'let me tell you a story about the light. about its origins, what it does, and where it can be found.'

she simply nodded, tears streaming down her face. she wasn't used to this. who was this, coming to her rescue? for so long, she had been hiding in the dark, all alone, hoping that the light would guide her back to safety. she heard their voices. they could see her, she sensed. they knew she was stuck, she could tell. and yet, no one came to help. no one said hello, or even acknowledged her. she had become a ghost, a shell of who she once was before.

'the story about the light is a complicated one,' he began. 'it is one of fear, misery, happiness, joyfulness. of conflicting emotions and heartbreaking plots and heartwarming plots. let's start with the origins of the light, shall we? each of us was born with a light inside us. sometimes, the dark snuffs the light out, smothering it until it is no more. but the ones who haven't quite been eaten by the inky black have some light to share. those are the ones who can regenerate their light. they are so happy to be here, so glad to help others… like me. and this light, is a gift from me, to you. it is yours now.'

she had been looking down the entire time. at his final words, she looked up, surprised. sniffling, she looked confused. still, she refused to say a word to him, and just wrinkled up her face, hoping he would understand her question. but why? why me, of all people, when you were the only one to see me and say something? she wanted to say. but she couldn't bring herself to open her mouth, to utter a noise. silent communication it would have to be, then.

he saw the unspoken question and swallowed. he got this question a lot. even he had asked it, at one point. 'because you looked like you need help,' he simply said, not saying anything else. '…and i wanna be your friend,' he added after a beat, and took a step back, allowing her to take all the new information sink in.

he had come to her. because he thought she needed help? well, that was a first. wasn't the first time someone tried to rescue her, though. she'd heard that before. but the other thing… his last sentence echoed inside her head. a friend, she mused. how nice would it be to finally have a friend? it would be nice, wouldn't it?
~
subject a's thought log

april 4th, 2042
don't wake me up just yet. please. i know it's just a dream. but it's the first time i felt like i genuinely smiled. i smiled! in a dream! of all things! you probably know this already, but i'll state it again. before i was approached with this idea, i was tired of life. scared of death. depressed. lonely. ready to just go into hibernation and never wake up again. i didn't want to keep going! i had already attempted suicide once, and i was preparing for another, while conflicting thoughts like 'i don't want to die yet!' kept crowding into my mind. but then i was approached with an offer. a break from reality, you called it. a new outlook on life! a brief hibernation. i was desperate and jumped into this without really knowing what i was getting into. come to think of it, i probably should have read the terms and conditions more carefully…

anyways, back to my original point. this is exciting for me! this fabricated dream, made out of only data and randomisation, can put a smile, on my face. no one and nothing has ever been able to accomplish that. so congrats! but please don't wake me up from this dream. not yet. will you give me at least a year?

may 2nd, 2042
i… where did all the people go? i 'went to sleep' in the dream, as you probably know already. after all, i did agree to let you know what i was doing and seeing and hearing and thinking at all times, didn't i? i did, yes. but then- the people disappeared! all the ones that i was close with, and all the ones i didn't know. what happened to them? please tell me this isn't your doing. please tell me this isn't you telling me that you're upset with how i convinced you to give me an extra year. i'm sorry. you can wake me up now, then, if that's the case. i'll be disappointed, but i'll understand… maybe.

@ninja_violinist

(time is an illusion and nothing is real. I just logged on in a panic thinking I'd forgotten about this yet again but it turns out it's Friday??? wild)

@ElderGod-kirky group

((Too late last time and too early this time lmao. Good thing you didn't do it yesterday because I'm laaatteee~~))
These are just random scenes that I had written about a year ago and edited today since I haven't gotten to actual writing lately.


Firsts Kiss (Tori's PoV)

The homecoming dance is supposed to be a night full of fun and free of burdens. It was supposed to be flashing lights, lilting laughter, sparkling jewelry, and immaculate attire. It was supposed to be devoid of worry and anxiety, a time to be yourself and have fun.

For me, though? It was a nightmare I couldn't escape. I was shoved to the sidelines, outcast for just being myself by everyone in this damn school as they flocked to the one person that could either destroy your life or lift you towards the top of the food chain—but never stand on top, as that was her throne. I resented how easy it was for her to get people to respect her, how effortlessly she made it look. I hated how she got all the attention and admiration, how she used fear to control those so willing to lick the ground she prowled on. She was a heartless bully that happened to tolerate my existence when we were alone.

But mio Dio, did she look breathtaking.

Theresa Hunt, a model already at only fifteen years old, could wear nearly anything and still be stunning. But tonight, she outdid herself while simultaneously keeping it simple. She had pulled half of her golden blonde locks up and left the majority of it loose, spilling over her exposed shoulders and back in silky waves. The white dress clung to her torso but flowed freely past her hips and kissed the floor as she strode about. While she walked, I could see glimpses of her gloriously tanned skin, calling attention to the narrow panel of fabric that draped between her legs as opposed to a typical skirt. I could see the matching white stilettos that wrapped around her feet, making my dancer's heart flutter happily at the sight of her walking so effortlessly in them.

I was so absorbed in my staring, my practical drooling, that I didn't notice the girls beside me until I was shoved to the side. "She isn't interested in someone like you," one of them sneered while I stumbled. A flicker of disapproval and frustration passed over her face when I didn't fall over, but it passed within a second. They're the ones that bullied me in the bathroom that day—the day she came and rescued me. Lip gloss popped and an intake of breath was heard, but no words had a chance to leave the girl's lips, as she was scrambling away. My brows furrowed and I frowned in confusion, my own mouth opening to ask myself a question–

Hey, is that spice?

A strong and unforgiving grasp clamped over my wrist and yanked me back. It was all I could do to not fall over again while I fought to get my feet back where they belonged. Marble floor passed beneath me, then a threshold, then more marble and darkness. A different darkness, not like the kind in the gym where there were dim lights meant for the dance. An empty classroom. I didn't dare raise my gaze.

She grabbed my other wrist and slammed me against the wall, pinning me with her own body and holding my hands captive on either side of my head. I yelped in surprise, and my cheeks became stained with a deep red instantaneously. The proximity, the feeling of her inside my personal bubbled, combined with the strange look in her eyes was overwhelming me, but I didn't fight her. I couldn't fight her, not when my mind was warring with my heart and body.

For the first time since I dared to go after her, dared to try and tame that fire that roared through her veins and fueled every blow she dealt, her gold eyes were devoid of the usual ice and hate. She allowed her face to be exposed to the world, no longer hidden by a silly mask. I saw her. I saw the swirling emotions darkening those warm eyes; I saw the softened features that melted my heart. I saw what I had looked for this entire time, longed for, and it took my breath away. Real. This was real, not just a hope I foolishly had. She was real.

"T-Tessa?" I stuttered, looking up at her from where she loomed. Our faces remained mere inches apart, and I found myself wanting to close that gap. My cheeks burned, and I was sure my entire face was red from the heat that scorched my skin. "W-What are you–?"

She leaned forward until our noses brushed, foreheads pressed together. "Tori," she breathed, eyes closing. So broken—she sounded so broken, so devoid of affection. Just hearing my name tumble from her lips like that, hearing the crack in her voice at the end…

I didn't dare move. Didn't dare disturb the fragile being before me, lest she shatters completely.

My tongue flicked out to wet my lips as my eyes darted down to hers. So close. Those plush lips were so close to mine. I just barely managed to drag my gaze back up to her eyes, but what I saw made my heart stop dead.

They were open and studying me.

I didn't even know how it was possible, but my blush deepened at being caught. She smirked slightly at that but didn't say anything or move. Waiting, I realized. She was waiting for me to tell her what I wanted. What she wanted didn't matter; this was my decision.

I let out a shaky breath through trembling lips, the single syllable barely even a whisper. "Tess…"

She moved, her head tilting to get a better angle, and captured my lips. A small noise escaped me, but that didn't stop me from melting into her and winding my fingers through her flawless hair. She tasted like spice, and her lips were indeed soft, just like how she kissed me. I savored the moment and the taste of her, greedily pulling her as close as I could with my back against the wall.

Just as the saying goes, all good things must come to an end. Tessa pulled away from me, leaving me feeling cold and alone. That mask was back up again, that awful ice frosting over that beautiful and molten gold. I could see a hint of my red lipstick on her lips, which made me reach up and press my fingers tenderly over mine.

Real.

I stood alone for an eternity, repeating that word, even if my broken bully had long since fled the scene.

Real.


We Meet Again: (Tess PoV)

Coming back here…

It broke my heart all over again.

It's been four years since the death of the love of my life. Four years since my heart cracked in two and could never be repaired.

Four years since I saw the pure pain and fear in my Tori's eyes.

I choked on a sob as I walked through the front door, running my fingers over the dark wood as I passed. The hardwood floors were dusty but still had that look to them that suggested they've been properly cared for in the past. Sheets were thrown over the old furniture. I rubbed at my chest and thought about the times we spent curled up together, watching movies, and messing around.

It was agony, coming back here. But I owed it to her to come back—to remember her.

I passed the living room and instead headed to her room. Just walking through the hall brought back memories. Gods, there were so many memories here.

This hall was where we kinda-sorta confessed to each other–we had gotten a little closer and more touchy-feely than normal. This hall was where we had our first kiss—well, the first kiss where I didn't run away like a coward–and then many more after it. This hall was where I'd chase her down, both of us laughing and squealing like little girls. It was through this hall where she dragged me through the house while I was half delirious from the beating I took. This hall was where I stood practically half-naked while I waited for her to wash my clothes—at her insistence—and she was all red and refused to look at me.

I swallowed the lump in my throat and pushed open the door that led to her room.

It was still the same, like she had just gone out for a bite and planned to come back within a few minutes. The large, king-sized bed with the dark canopy—because she couldn't sleep unless it was totally dark—was the same. The entire wall that made up her bookshelf and remained filled to the brim with books was the same. The painting easel with an unfinished painting perched on it was the same. The expensive stereo she bought when she had gotten a B on her math test was right where it was before. I huffed a small laugh. Drama queen.

My amusement died down, however, when my gaze found her desk. Her pride and joy; it contained everything that made her who she was. It was the desk we built together, sitting on the floor, joking and laughing our asses off and making out as opposed to actually putting it together. It took us nearly two hours to get it done.

At that moment, almost everything inside of me fell apart.

I braced my palms on the old desk that held all of her little nerdy things. Her history books and research papers. Her thousands of pens due to her constantly losing them. The scattered sketches of half-finished thoughts. The math homework that I was forced to help her with—and ended up getting a full score on. The extra pairs of glasses. The dance routines that we never got to try out. The original songs that we wrote together but never got to sing. In my slow scan, I found a photo album simply labeled, Tesoro. I slowly sat down in the cushiony roller chair and flipped through it.

Hundreds of pictures of us greeted me. Some were ones that I took of her that I thought—and still thought— to be beautiful. I remembered how she had blushed and denied it when I said as much. Ah—there sat my particular favorite of her: her back was to me as she gazed at the sunset. She had always been fascinated with the sunset, and I wanted to capture that. She hadn't even known I took the picture until I told her. In a few of them, which looked like selfies, she was kissing my cheek while I was laughing. Others containing us both usually involved touch—kissing, hugs, leaning on each other, using each other as pillows, wrapping our arms around the other's neck, the like. A few of them showed us in a dance studio, and I laughed slightly at how I looked far less graceful than I did now. I wonder what she'd say about my skill now…

The more I flipped through the photo album, the more my heart cracked open and the more the tears threatened to spill. I blinked them away or wiped my eyes every time before they could fall. I won't cry, I told myself. Don't cry.

I heard the soft footsteps but didn't register it, too engrossed in the photos and the struggle to contain the dam that was my eyes.

"Tesoro?"

I lost it completely. That voice. That name.

It wasn't possible.

Slim arms wrapped around my neck from behind the chair. A petite chin rested on my shoulder. The familiar scent of lavender invaded my senses, suffocating my resolve.

Tears streamed down my cheeks. I closed my eyes and leaned my head back. If it was a dream, I didn't care. I wanted to stay in this dream forever.

Soft lips lightly pressed against my neck, and I let a sob escape. There it went. The dam burst.

The person slipped away but didn't go far as they spun my chair around. I could feel them kneel down in front of me as their hands gently ran up and down my legs. I allowed myself to open my eyes, and…

And there she was, smiling up at me with that adorable little smile of hers that showed her single dimple. Her raven black hair fell over her shoulders, even while it was pulled up in a high ponytail. Those large hazel eyes were still as bright as ever as they peered up at me, their own tears threatening to fall. Her olive skin was just as smooth and healthy as I remembered it. She still had that delicate dancer's body that I always loved, her petite frame hiding the immense kindness and compassion she held within that enormous heart of hers. The only difference was the lack of glasses, but I didn't pay much attention to it as I stared at her, tears streaming silently down my face. "Tori," I breathed, unbelieving.

Her smile brightened and she stood up to her full height, holding out her arms slightly. "I'm back," she whispered.

I lurched up and locked her in an inescapable hug, my face buried in the crook of her neck. Sobs racked through my body, but that was the last thing on my mind right now. "You're alive. You're alive." I repeated the phrase as I held her, forcing myself to believe that this was real and not a sick dream.

She gripped me with equal ferocity, tangling her fingers in my hair like she always did. She murmured some soothing words in Italian, and I relaxed against her body, though tears still soaked the side of her neck.

Eventually, after gods know how long, Tori pulled back and gripped my face in her delicate hands, wiping away the tears staining my cheeks with a small smile. "I'm okay. I'm back, and I'm okay. Just a coma." She pressed our foreheads together, still whispering reassurance. "Just a coma. I'm alive and okay."

"You better be fucking okay, you asshole," I mumbled, and her bark of laughter sliced through the silence like a perfectly placed knife. We pulled back, both of us scanning the other to see how well four years had done for us. It wasn't hard to see the delight in her eyes even before she met my gaze.

"You're doing better." All I could do was nod and roll up my sleeve to show her the white feather tattoo on my left forearm, a small black area adorning the bottom of the feather. It took a few tries, but I found the right words to explain. "I fell back into how I used to be after everything happened, but I pulled myself together because I refused to let myself undo everything you did for me. It was hard." That admission would've been worse had it not been to Tori. "Like, really fuckin' hard, but I managed. And then this girl showed up and… I dunno, it was weird. She was a trainwreck too, and we kinda became friends? I don't even really know how it happened, just that three years later, she's my best friend and I'm better than I've ever been because of her." Waiting for Tori to process everything nearly killed me, as I expected her to be upset that I hadn't waited for her, hadn't helped myself like I promised to.

I wasn't expecting a bright smile. "You got better." Tori laughed softly and lightly grasped my tattooed arm, her fingers gentle as they ran up and down the self-inflicted scars. "I know that everything that's been done to you can't ever be undone without erasing everything that you are. I also know that the damage it's done can't be reversed. Just the fact that you are here, right now, actually crying, tells me everything I need to know." Her eyes remained on the scars she tenderly stroked, then lifted to meet mine. "You kept your promise, Tesoro. You helped yourself by giving yourself to someone that can help you. It's okay to not know how to do it on your own. I'm still proud of you. So, so proud of you."

This time, as I raised my eyes to the ceiling and blinked away the tears, it wasn't because of the memories. Tori used her grip on me to pull herself closer and wrap me up in a tight embrace. Her voice was muffled by my shoulder when she spoke. "While I hope you moved on, I also want you to know that I have no plans to be gone from your life completely. It nearly killed me to never see you."

A laugh bubbled up and popped the air of seriousness. "So it's official? We're broken up?"

"I'd hope my supposed death was official enough—unless you fancy dating a dead girl."

We both fell into a familiar fit of laughter, and I held onto Tori just a bit tighter as I murmured hoarsely, "Thank you." Thank you for being my first love. Thank you for being stubborn enough to see past my false personas. Thank you for being yourself. Thank you for loving me when no one else would.

Tori smiled and lightly grasped my wrists, fingers digging into my pulse points and scars. "Thank you for being here."

Deleted user

I wrote this a few days ago, and I sort of like where I ended it. It was just a small exercise that I didn’t bother editing too much.

@ninja_violinist

ah, darn it. late again. I swear I will get this right at some point haha

@izzy-is-depressed ah, good to hear from you again!!
first one: This is pretty cool! I have to admit it feels a bit conceptual, but there's definitely a lot of potential here!
I think one of the reasons it feels conceptual is because a lot of the time is spent catching the reader up on the situation so far, as it were - there's a lot of meta "this is what's going on in Elara's life, this is how she feels about it, this is her friend, this is how long they've been friends" which isn't an issue in and of itself but it can feel a bit inorganic. So if you ever felt like developing this further, I'd recommend slowing it all down and allowing for more breaks in between the exposition so the reader has time to digest and process everything, and maybe a being a bit more selective when it comes to deciding which information to explicitly include and how much the reader needs to participate and extrapolate. [oooof that was such a long sentence. my bad] But it's already really cool as is!!

second one: again, very very cool concept! the idea of passing on light, of having both those who generate and those who receive it, and all the symbolism and metaphors that can come with that, is superb.
I'm not entirely sure if the formatting (mainly the lack of capitalisation) is a deliberate choice or if you just didn't feel like going through all that. both is fair, tbh.
One thing that you're probably tired of hearing from me (but which I will point out anyway because that's my job haha) is that you might want to revise how much you're telling the reader versus how much you're showing them. And I know that's a very vague thing to say, because show and tell are terms we slap on almost anything and pretty subjective. But I've found, at least in my opinion, it usually involves being more specific on things that might seem obvious? for example, when it says "she tried to find hope in the bleak environment, but alas, there was none to be found", what exactly does finding hope look like? would it be possible to write a short sequence that a reader could recognise as "this character is looking for hope" without using those words?
that's just an example, and obviously it's entirely up to your discretion when something like that is necessary, but it's something to think about, I'd say

third one: what a wild concept that I'm 100% here for? like, futuristic experiments of dubious ethical implications and with a slight tinge of dystopia? yes please. and you've got some really strong characterisation in the narrator's voice which intrigues and draws me in.
honestly, probably the only thing I could think to say about this is that it's a bit short for it to unfold to full effect. Packing all this exposition and backstory into three paragraphs means that it's easy for the reader to get overwhelmed. so if you'd want to develop this, I'd just recommend slowing things down and sprinkling the backstory in throughout. just so readers have more time to process everything, if that makes sense.

but thank you so much for sharing this week!! These were really fun to read! I've left an obscene amount of feedback, so please excuse all that, and as always it is offered with many grains of salt.

@Dances_with_Shadows
ah, wholesome with a side of angst. just what I needed today, thank you.
As ever, you've nailed characterisation, dialogue, and description! Super vivid, super real, with stunning imagery.
One thing I noticed (which I think I may have already brought up in the past) is that there are a few times where the way you use tenses isn't… wrong, per se, but up for discussion? Specifically these bits:
"The homecoming dance is supposed to be a night full of fun and free of burdens. It was supposed to be flashing lights,"
"It's been for years since the death of the love of my life"
where there's the argument that these are timeless descriptions that are true regardless of when they're being said, so they could be in present tense? but at the same time, in that case, they imply some things for the narration (ie that this is all consciously being narrated, retrospectively, by the character, who knows that they're telling a story) which I'm not sure are followed through in the rest of the narration. idk.
another line editing tip I can recommend is searching for words like "was", "were", "had", and the like, and seeing if there are instances when they could be replaced by more active verbs. From what I can tell, they're at a pretty reasonable count (barely 100 out of nearly 3k words total), so this isn't necessary, but something that might be fun to look at idk. Obviously do this within reason and at your own discretion if you do.
but yeah. this was excellent! thank you so much for sharing!

@*Emi
ahh, this one had a very specific, contemplative and somber and intense mood that I'm absolutely here for! I really love the careful and vivid descriptions and how the setting plays into the atmosphere! (and I also love the open-ended ambiguous ending!)
I'm not sure how much this matters if it was just a lil exercise, but if you ever care to revisit it something you could look into is sentence structure. it's a very odd nitpick, but I noticed that especially in the first part, your sentence length stays quite consistent. Changing some of that up might lead to more variety and help clarify the pacing and signpost the beats a bit better.
But overall, this was really good!! Thank you so much for sharing!

@ninja_violinist

prompt time!

For the music, it's a cover of "The Plagues" (from The Prince of Egypt, aka My Childhood) by Gabriel Brown and Samuel Kim


art: "Blade and Sunset" by Shai Daniel


word prompt is off of pinterest, I apologise to the universe but I'm too tired to find the op

  1. Barbed wire
  2. A scrap of blue fabric
  3. Howling winds

and a bonus: go watch the fishies guys
this isn't even writing related, it's just a livestream of an aquarium and it's the most soothing thing I've seen in weeks

@saor_illust school

ah, darn it. late again. I swear I will get this right at some point haha

@izzy-is-depressed ah, good to hear from you again!!
first one: This is pretty cool! I have to admit it feels a bit conceptual, but there's definitely a lot of potential here!
I think one of the reasons it feels conceptual is because a lot of the time is spent catching the reader up on the situation so far, as it were - there's a lot of meta "this is what's going on in Elara's life, this is how she feels about it, this is her friend, this is how long they've been friends" which isn't an issue in and of itself but it can feel a bit inorganic. So if you ever felt like developing this further, I'd recommend slowing it all down and allowing for more breaks in between the exposition so the reader has time to digest and process everything, and maybe a being a bit more selective when it comes to deciding which information to explicitly include and how much the reader needs to participate and extrapolate. [oooof that was such a long sentence. my bad] But it's already really cool as is!!

second one: again, very very cool concept! the idea of passing on light, of having both those who generate and those who receive it, and all the symbolism and metaphors that can come with that, is superb.
I'm not entirely sure if the formatting (mainly the lack of capitalisation) is a deliberate choice or if you just didn't feel like going through all that. both is fair, tbh.
One thing that you're probably tired of hearing from me (but which I will point out anyway because that's my job haha) is that you might want to revise how much you're telling the reader versus how much you're showing them. And I know that's a very vague thing to say, because show and tell are terms we slap on almost anything and pretty subjective. But I've found, at least in my opinion, it usually involves being more specific on things that might seem obvious? for example, when it says "she tried to find hope in the bleak environment, but alas, there was none to be found", what exactly does finding hope look like? would it be possible to write a short sequence that a reader could recognise as "this character is looking for hope" without using those words?
that's just an example, and obviously it's entirely up to your discretion when something like that is necessary, but it's something to think about, I'd say

third one: what a wild concept that I'm 100% here for? like, futuristic experiments of dubious ethical implications and with a slight tinge of dystopia? yes please. and you've got some really strong characterisation in the narrator's voice which intrigues and draws me in.
honestly, probably the only thing I could think to say about this is that it's a bit short for it to unfold to full effect. Packing all this exposition and backstory into three paragraphs means that it's easy for the reader to get overwhelmed. so if you'd want to develop this, I'd just recommend slowing things down and sprinkling the backstory in throughout. just so readers have more time to process everything, if that makes sense.

but thank you so much for sharing this week!! These were really fun to read! I've left an obscene amount of feedback, so please excuse all that, and as always it is offered with many grains of salt.

you're welcome !
as always, i appreciate the feedback :D

@croccin-champagne

it's been three months this last sunday!! three months dating quite possibly the best person i could ever hope to date, minus of course the gorgeous and talented circe. anyway, i'm whipped, as you can tell, and very interested in dumping my feelings down somewhere. i think it needs a conclusion stanza? any tips? i'm stuck as always lmao


Hey, tired eyes,
Does your heart sing the same song as mine
When you see me?
You’ve got me wrapped around each finger,
Mine interlaced with yours palm to palm
And I’ve never felt more at home anywhere.

Hey, crooked smile,
The world is so much less scary
Next to you.
I’ve been afraid of everything my whole life
And you make the dark feel like a friend.
I can’t wait to take on everything with you.

Hey, spring-time eyes,
I think colors look a little brighter
With you in my life.
There’s a cherry blossom blush on my cheeks
When you smile that heart-fluttering smile,
I never knew butterflies could be so warm.

Hey, Honeybee,
I love you more than I thought I was capable of.
Thank you.
If you broke my heart, years down the line,
I don’t think I could do much more than thank you
For everything.
For every late-night and every two am slowdance,
You turned my world into something so wonderful,
I couldn’t help but want to live in it.

@ElderGod-kirky group

it's been three months this last sunday!! three months dating quite possibly the best person i could ever hope to date, minus of course the gorgeous and talented circe.

Pfft.

But amazing job as per usual! I love it!!

@SpookyJim

So, uhm, I have something. It's not done yet, but it's really personal to me and hits home.

I think all these problems are
Gonna make me go insane,
All these foreign people tryna
See inside my brain,
Blaming mental illness but
Not tryna take the blame,
Acting like they didn't hurt me,
like they didn't cause me pain.

When I turned two my father left,
I guess he didn't want me
I looked too much like my mother
And his abandonment still haunts me
To this day
Things won't change,
He'll never change…

I learned my lesson easily
Turns out it wasn't me
He was just a coward
Acting like it was all she
It wasn't her,
Not my Mother..

But then shit got rough
I started throwing up
And losing weight
My grandparents blew it off,
They said "There was no fuckin' way",
They said it was the medication fucking with my system,
That night I started writing to my parents that I missed 'em.

A couple years went by and
I had started getting help
But by the time I turned 14
Everything just went to hell,
I met this girl and fell in love
And she was 4 years older,
She left a scar on my left thigh
And my heart's a little colder.

She broke my trust, she broke my heart,
She broke my will to live.
I fell silent when the memories came back
And told me what she did.
What'd I let her do…
Oh no..

I blamed myself, I couldn't tell
What was wrong with my heart,
I started leaving tiger stripes
Up and down my arms.
I couldn't tell my family,
They wouldn't understand
They'd act like something's wrong with me,
Like I was being bad..

@saor_illust school

Me when I first read that:

I-
That was really hecking good.
I don't even know what else I can say about that
It's just a masterpiece

Me now, rereading it:
…is speechless
literally cannot say anything else about it
because this is freaking amazing

@ninja_violinist

ah dangit late again

@crocs-to-a-knife-fight
[edit: I'm rereading this now before I post and it sounds very incoherent at points. but I'm also too lazy to figure out how to express it better. so just like… be warned, I guess? sorry]
this is so wholesome I think I might die. very soft, very gentle, very beautiful imagery. I cannot even. I especially enjoy the repeated structure of the first three lines (term of endearment, phrase, short end of the sentence) - it really adds a very nice consistency to the whole thing.
favourite line: Does your heart sing the same song as mine/ When you see me?
there's probably a lot of context behind the terms of endearment that I'm missing, but it seems interesting to first call the eyes "tired" and then call them "spring-time"? idk.
and, because I'm very predictable, I'm going to be particularly picky with the last stanza. I really love the last two lines, I think they sum up the whole vibe very well! I'm just not sure how well they fit with what comes before? especially since the punctuation implies that they're part of the same sentence as "For every late-night and every two am slowdance" which I'm not sure sounds the most graceful.
and while there's something to be said for breaking a stylistic/rhythmic pattern in the final stanza for emphasis, I'm not sure that the different aspects (which I each love individually, don't get me wrong) all fit together as well as in other parts? Like it's longer than the other stanzas but I'm a bit iffy on how justifiable the unusual length is, given how different some of the thoughts are from each other. though again, I like all of the individual points very much. so I don't know that I could stomach recommending you cut any specific one? but, just as an example of what I mean, I think something like this might sound a bit more cohesive (? possibly?? again, please work this out at your own discretion):

Hey, Honeybee,
If you broke my heart, years down the line,
I don’t think I could do much more
Than thank you.
With every late-night and every two am slowdance,
You turned my world into something so wonderful
I couldn’t help but want to live in it.

but anyway. I'm very clearly not a poet. so you should definitely be the one to make these kinds of calls and decide whether they're even necessary.
in conclusion, this is too sweet and I think the levels of genuine sincere adoration might just give me heartburn. I can't handle this
thank you for sharing!!

@TrippingOnStardust
Izzy is very right, this is freaking amazing
like you said, it sounds incredibly personal and intense. but you've also expressed it very beautifully, with a wonderful sense of rhythm and rhyme, which I think really adds to the overall emotion. Especially in the beginning, the rhythm and the rhyme (and subsequent phonetic spellings like "tryna" or "gonna" and the general way it sounds like spoken word) almost make it sound like an angry song.
favourite lines: "Blaming mental illness but/ Not tryna take the blame/ Acting like they didn't hurt me/ like they didn't cause me pain"
and since you mentioned that it's both (a) very personal and (b) incomplete, I'm going to hold off on some of the criticism I'd usually give (on last lines, mainly, which I'm very pedantic about, and on overall thematic structures)? because I feel like a lot of it is stuff you'd already be aware of since it's a wip, so there's not really a point in me harping on about it.
but one stanza that you might like to revisit as you edit might be the third one? I'm a bit hesitant when it comes to the rather unconventional sentence structure of "Acting like it was all she" (like it doesn't seem 100% grammatically kosher, so I had to think about what exactly this was saying for a while). it seems to be mainly for the sake of upholding the rhyme with "me"? There's nothing egregiously wrong or anything, but compared to the rest of the rhythm/rhyme scheme which on the whole is very subtle and natural, it feels a bit more blatant.
but yeah. anyway. this is excellently written, as the writing really complements the heavier nature of the content. any nitpicks are minor and offered with many grains of salt. Thank you so much for sharing!!

@croccin-champagne

ah dangit late again

@crocs-to-a-knife-fight
[edit: I'm rereading this now before I post and it sounds very incoherent at points. but I'm also too lazy to figure out how to express it better. so just like… be warned, I guess? sorry]
this is so wholesome I think I might die. very soft, very gentle, very beautiful imagery. I cannot even. I especially enjoy the repeated structure of the first three lines (term of endearment, phrase, short end of the sentence) - it really adds a very nice consistency to the whole thing.
favourite line: Does your heart sing the same song as mine/ When you see me?
there's probably a lot of context behind the terms of endearment that I'm missing, but it seems interesting to first call the eyes "tired" and then call them "spring-time"? idk.
and, because I'm very predictable, I'm going to be particularly picky with the last stanza. I really love the last two lines, I think they sum up the whole vibe very well! I'm just not sure how well they fit with what comes before? especially since the punctuation implies that they're part of the same sentence as "For every late-night and every two am slowdance" which I'm not sure sounds the most graceful.
and while there's something to be said for breaking a stylistic/rhythmic pattern in the final stanza for emphasis, I'm not sure that the different aspects (which I each love individually, don't get me wrong) all fit together as well as in other parts? Like it's longer than the other stanzas but I'm a bit iffy on how justifiable the unusual length is, given how different some of the thoughts are from each other. though again, I like all of the individual points very much. so I don't know that I could stomach recommending you cut any specific one? but, just as an example of what I mean, I think something like this might sound a bit more cohesive (? possibly?? again, please work this out at your own discretion):

Hey, Honeybee,
If you broke my heart, years down the line,
I don’t think I could do much more
Than thank you.
With every late-night and every two am slowdance,
You turned my world into something so wonderful
I couldn’t help but want to live in it.

but anyway. I'm very clearly not a poet. so you should definitely be the one to make these kinds of calls and decide whether they're even necessary.
in conclusion, this is too sweet and I think the levels of genuine sincere adoration might just give me heartburn. I can't handle this
thank you for sharing!!

fyrtry as always, you're too sweet!! thank you so much for the critique, and you're actually right. the last chunk seemed weird, but i figured, with it being the last chunk, a change in length wouldn't be the worst thing. it does seem funky though and i do kinda like taking out that one bit. it keeps the good chunks but also the flow, which is sometimes hard to do.

poet or not, you're always really helpful in figuring out what i need to work on, so thank you!

@amber_is_in_a_loop

Heyo, I know I've been gone a while, but I have a short Orpheus and Eurydice thing I wrote based off of Hadestown (the musical). I was going to go all out and make it super rich and poetic but decided to try writing for a couple minutes without stopping, to see what came out of it. I don't know if I love it or hate it, so have a go at it? (the italics are song lyrics, from the show, and it's a Eurydice POV)


To know how it ends,
And still begin to sing it again,
As if it might turn out this time.

The minute you set foot out of his reach, everything changes.
Behind me I hear the workers, I hear the rhythm of their hammers and of their voices, begging for the way out we were granted.
He isn’t singing. He’s walking ahead, back to me and it hurts, it hurts, but I trust him. I trust he knows me and I trust he loves me enough to let this happen. We’ll make it. We’ll make it.
Silence is growing stronger and stronger the further we walk and I know for a fact that now we are alone and not even the gods can save us now. To the ends of time. To the ends of the earth.
We're alone and the silence is pressing down on us and the only thing there is left now is our footsteps.
There is no light to guide us through, no sound to follow us along anymore. No one sings and no one works, and nothing glows. All traces of their or our love is taken over by only the darkness and it’s all we have.
I think of his song. He is gifted, and I love him. And the world loves him. That will be enough to keep him going. Even the back of his head, bent to the ground, is beautiful.
Light brown hair, glinting with charm and melodies yet unsung. We’ll make it. We’ll make it. I hear the rocks and stones. I’m coming.
And before I know it the hunger dissipates and there is truly nothing for me to hold onto except him, walking in front of me, guiding me home. The echo is fainter and– and warmth.
The warmth is everywhere, natural and not electrical. The warmth of the sun is here, thawing my heart and my veins and my smile. I'm smiling and he's near, and we’ll make it.
I keep my stare on his head, my heart beginning to beat in my hollow chest.
Love is making my heart beat, love has given me life. His love. His love and his music. We’ll make it. We’ll make it.
I wish I could see his face. I want to see his face so much and I will soon, soon, because we're so close and we’ll make it. And then we'll eat, and marry, and the world will come back into order and his music will feed us for eternity to come. We’ll make it.

The promises you made to me.

He’s so beautiful. His eyes are so incredibly blue, shining with his love for me and my heart soars. Lilly white, and poppy red. His hair falls across his face, gold against pale skin, making his entire face glow. And his eyes, his shining eyes, wet with tears. What he’s defending is already gone. He has turned around to look at me and I can think of nothing but that I love him; I am his, hunger and all. He turned around and I love him and my heart is aching in its gilded cage. It's you. His voice is soft and magical and perfect and it pleases me, and tears of my own trickle down my face. It's me. Nothing I ever could say would rival his voice. I know what he has done and I'm cold again. Suddenly I’m holding the world in my hands. Everything is cold. I stare at his face, filled with a peaceful, peaceful sadness. And his face is getting smaller and the wind is sucked from my chest and I will never be able to sing, not like him. I want to hear him sing. I want to hear him sing but all I can hear is hammers. Hammers. Hammers. And someone laughs and his voice is deep and I know who it is.
I’m coming. Wait for me. Who was he? Is he always like this? Shelter me. Who am I?

@ElderGod-kirky group

((Crocs might recognize the Absolute And Legit Queen I'm about to introduce to y'all, might not. We'll see lmao))


A monster?
Maybe.
But you will never find me beneath your bed.
I have more dignity than that.

I am the shadows in your closets.
I am the darkness in the corner of your eye.
I am the glint of a dagger in the moonlight.
I am the irrational fear crawling up your spine.

You do not find me.
I find you.

That is the way this arrangement works.

The breath from my lungs dances before my lips due to the cold shoulder summer is giving the world. It skitters over my cheeks and gets caught up by the wind, too enticed by the silent gossip to linger. I pay no mind to the bitter chill, as my attention is narrowed on one particular spot on the empty road. The double-bladed daggers perch unbothered on my knees; not even the wind is enough to disturb them as they anxiously await the stain of blood.

You do not bark at my family.
I am the one with the bite.
My blades will sing their prayers.
You will fall to their judgment.

As I sit in the tree, waiting and watching, the wind stirs, whispering in my ears and ruffling the thick curtain of hair that falls across my face. They are coming. A smirk slices across my lips right before it hides behind the cloth I pull over my nose and mouth. Good. The twins find their home in my palms. The moon and stars wink their approval.

The end of your games has arrived.
Curse my name. Praise my skill.
I do not care.
Allies?
Never.
Not after the wrongs you've committed.
Not after the lies I've untangled.

The echo of horses' shoes pricks my ears. A protesting snort and a gruff excuse for encouragement follow. The beasts are smarter than their riders—how quaint. I pull my hood over my head and tug it further over my face, concealing myself in shadow. A simple shift in weight, and I'm ready to strike.

I am the viper.
I am the unseen.
You do not fear me.
You cannot understand me.
My thoughts are yours.
Your memories are mine.
I know what you don't.
I know everything you do.
Test me.
I dare you.
It is you who will fail.

Three horses and riders enter my vision, and I stand carefully in the fork of the tree's branches. It only takes a few seconds before the steeds sense my presence. I can see it in how their manes quiver and their ears twitch. Don't worry, my idiot of a brother has managed to give me a soft spot for the majestic creatures. Perhaps I'll rehome them to him, where they can roam freely. A silent huff of laughter retracts my thoughts from veering away. Focus. Death is awaiting my interference.

I serve no one.
But vengeance is my master.

My feet meet the earth, and the stuffy noblemen gasp and pull their horses to a hard stop. It does nothing to save them. My strikes are swift and brutal, the serrated blades of my daggers a choice made by my anger. Shadows cling to my limbs, carrying me to my best angles with the eager touch of a helpful toddler. The cries are silenced by my whispered words, a flash of a symbol lighting up their throats.

Seconds.
You sit upon your mighty throne, a prideful as a peacock.
You compare yourself to the kings of the jungle.
And yet, you can barely hold on for a second?
Bested by a hatchling?
Pathetic.

Red drips down to the earth, a brutal offering in return for a brutal thievery. Mercy is in my vocabulary, and I understand it well. But it is fools like the ones I am staring at that make me question the vocabulary of those around me, the lions and peacocks showing off their assets. They are the ones who throw words around without knowing the meaning, simply to hide their idiocy and cowardly manipulation. They are the ones that promise an alliance while building an army behind your back.

Unfortunately for them, I borrow many armies and earn favors from Death. To be the one that sits on the highest throne is not to control lives with force or fear, or to regularly remind those you reign over that you are better than them.

I smirk with a snort, turning away from the carnage and striding over to the horses. They bow their heads to the ground but do not quake in fear. Even as I wipe away the blood of their riders and sheath my daggers, they do not shift uneasily. Even as I pull off a red-stained glove and stroke their coats, they do not bolt.

To sit on the throne is to earn the respect of those below you and walk among your people.
Without them, you are nothing but a dog barking at air.

So call me a monster.
Call me a murder.
I've made my choices.
I've owned my mistakes.
What you call me doesn't matter.

What matters is what my people see.
What matters is what my people need.
What matters is what my people want.

Everything I do, I do for them and my family.
My past is riddled with darkness.
I don't deny that.
My people don't deny that.
But they see what I don't.
They see a light.
And that's all that matters to me.

I'm a monster, sure.
But at least I have an army of angels behind me.

@croccin-champagne

amber who. who gave you the right to just come in here with an orpheus and eurydice story and make me fucking sad. you broke me. i can't even like. properly critique that??? because it's so beautiful that any flaws just seem to add to it. the only real thing that got me was the bigger chunk of text towards the end, as opposed to the more cut up chunks above it. other than that you. you have ruined me how dare

i'm here with yet another poem, for a competition again! this is a revamp of one a couple of you guys might recognize, a really old one that fit the prompt and made me decide to heavily edit it. i'm really proud and can't wait to record it tonight!


Depression makes me angry.
Depression makes me spit fire at the world
And likens my words to knives,
Fills me with a rage that boils and instead
Of scars my arms are covered in hives.
It’s the monster in my stomach,
Bloodlust and hunger and
The fist I find myself so close to wielding.
Words or knives, I find myself
Attacking the people around me.
Depression is my Hyde.

Sometimes, it makes me sad.
Makes me dread each breath that tears me open,
Each movement heavy enough
To break me into pieces.
Makes me feel like I’m drowning and when people
Insist that there’s a light
Just above the surface I wonder.
I wonder if I’m the only one who can’t see it.
I swear the red and white life preserver
Is swimming away from me, somehow.

The worst is when it makes me empty,
Hollow and carved out like a turkey on Thanksgiving
Before it’s stuffed and warm there is no thanks,
Not for the need to carve myself open,
To see if that pulse is really even there.
Phantom heartbeats in my chest,
The cavity where the last bit of me
Used to be.
They never tell you about this one,
Never warn you about the emptiness in
The vessel that used to use your name,
Still does and still smiles.
Just never the way it used to.

But if I wait just long enough,
Depression makes me happy.
When the clouds part and sun hits my face,
When feeling isn’t the struggle I remember it to be.
You only rise after you’ve memorized the taste
Of falling, and I know that taste like I know
The copper in my mouth from biting my lip,
Biding my time, from waiting.

The storm never last forever and I know,
It takes a little longer sometimes.
But when the rain becomes a drizzle,
A chorus of pitter-pattering ‘you made it’s
And applause, I know.
I know I could do it all over again.
Because my depression doesn’t make me strong.
I already am.


the deadline may be super close but in case anyone thinks they can meet it! i meant to post it yesterday but i. spaced it and i'm so sorry

@ninja_violinist

A Saturday where I have time and inclination to critique and I haven't forgotten it??? witchcraft. sorcery. tread carefully guys.
[edit: I have 40 minutes left of Saturday as I post this. I'm living my best life. it only took like seven weeks of quarantine to get here, but I made it.]

@amber_is_a_starchild
so first off I think it's wild that you say you "were going to" make it super rich and poetic as if you somehow haven't done that? Sure, it's not dripping with long sentences and deliberate intricate word constellations, but it is rich, it is poetical, and it absolutely wrecked me. so. thanks for that.
stuff I loved: literally everything about it? but specifically I think the repetition, the vague wording, the sentence structure, and the focus on specific images and aspects (hammers, hurting, sound/silence, warmth/cold, and the very detailed descriptions of him) really work together to make this as good as it is!! I feel like this has that vibe of writing where the author just kind of grabs you by the coat collar and says "let's goooo" rather than spelling out in painful detail what's happening and where we are and what exactly we're referring to. if you know what I mean? like you don't mess around trying to let us know what kind of workers are here and why they're here etc, you just say "the workers" as if I knew that they were there all along. and it speeds things up and makes it less clunky.
(am I gushing at this point? oh absolutely.)
one thing that I wondered right from the get-go is the purpose behind the "you" in the first line? like I can't tell if it's a general you or if it's meant to be in second person, if it's meant to address the reader… idk. I'm a bit confused by it. Other than that, there were a few wordings which I felt could be a tiny bit more graceful - "begging for the way out we were granted" (I think adding a "that" or a "which" might clarify this?), "traces of their or our love" (not fully sure who "they" are?).
And one thing that isn't necessarily a problem but just something to be aware of is your use of the word "is"? I've counted about 40ish in this chunk, which out of 671 words total isn't bad or anything, but it's just enough for me to recommend going back over those and seeing if any of them lead to passive constructions where an active one would work. for example, I think at some point we have an "is aching" which could be replaced with "aches". It's all subjective, but I find that active constructions tend to flow better and feel more like showing rather than telling.
anyway, this has gotten to obscene lengths, but that's cause I really love it! This is like poetry but a little bit to the left and I'm 100% here for it. Thank you for sharing!

@Dances_with_Shadows
what an introduction. what a legend. both the character and the way we were introduced to her were very, very epic.
Stuff I loved: the structure!!! the sort of jerking between general reflection and specific, in-the-moment intense action is superb, really engaging and very well executed. the language is razor sharp and just as intense as the situation justifies. very vivid, very detailed, with a very nice amount of images that kind of bridge the poetic reflectiony bits and the up-in-your-face action bits. I also love that it's addressed to "you" - again, very intense, direct, right up in our faces.
I think there were a few times where I wondered if the rich language kind of distracted from the tone of the writing? it's very rare if it happens at all, but for example I puzzled over "the eager touch of a helpful toddler" quite a bit, which yanked me out of the immediate action.
and this is also 100% subjective, but I noticed that there are a few times when the narrator seems to directly explain stuff to the reader. for example, "due to the cold shoulder summer is giving" or "as my attention is narrowed on one particular spot" or "a choice made by my anger". which is alright, but I think it can interrupt the flow of the narration at times? because sometimes the way an explanation is worded means that the reader finds out about the effect before they find out about the cause, which can feel a bit unnatural when we're so closely following the narrator's perspective. idk how to put this into words that make sense. but for example, in the first one I mentioned, it starts out with "visible breath" and then tells me "because it's cold". now that could either be switched around to "it's cold, so visible breath" or just mentioning both facts and leaving the reader to draw the connection between the two ("it's cold. visible breath."). and I guess it's your call which you prefer, but I find for me that the latter two options feel more comfortable than the first.
(long story short - I have Opinions but you are under no obligation to share them haha).
but yes. this was fabulous. We stan the Absolute and Legit Queen. thank you for sharing!

@crocs-to-a-knife-fight
yes!!! it is Back!!! I am Here For It!!
I actually went back and found the original piece (it's on page 7 of this chat, fun fact, from September of last year) and I really love the changes you've made!! I think it's a lot more structurally sound than it was, the images flow much better, the tone is much more consistent… just. it's the coolest thing ever to be able to see such clear evidence of your improvement in the past 8 months. You've come a really long way!!
(is it weird that I'm like. intensely proud of you? I feel like a parent. all of you are my writing kids now I'm sorry I don't make the rules)
Favourite line: You only rise after you've memorised the taste/ Of falling
I'm assuming that at this point you've already recorded and possibly already entered it? So it seems a bit rude of me to go in with any lengthy critique. not that I think it desperately needs anything, tbh - this is about as polished as it gets.
I only noticed two words that made me pause - "likens" in the third line, because in the context of "Depression" being the one performing the action (as it were) it almost sounds as if Depression was the one doing the comparing. which is a bit odd? if that makes sense? idk, "turns" might fit the meaning better here, possibly?
I was about to ask whether "red and white life preserver" is really what that's called and I looked it up and I think it is?? like "life preserver" is the actual, legit, technical English term for those red and white floaty things that you hold on to?? and that rocked my world. what is your language and how does it work.
So I guess I only have one word I'd recommend revising haha
[me: all of you are my writing kids and I feel like a proud parent!!!
me, five minutes later: how is English. what is English. language is hard. I am but a fool who knows absolutely nothing]

so yeah. all the best with the competition!! I'd love to hear more about how it goes, if you're willing to share!

@croccin-champagne

A Saturday where I have time and inclination to critique and I haven't forgotten it??? witchcraft. sorcery. tread carefully guys.
@crocs-to-a-knife-fight
yes!!! it is Back!!! I am Here For It!!
I actually went back and found the original piece (it's on page 7 of this chat, fun fact, from September of last year) and I really love the changes you've made!! I think it's a lot more structurally sound than it was, the images flow much better, the tone is much more consistent… just. it's the coolest thing ever to be able to see such clear evidence of your improvement in the past 8 months. You've come a really long way!!
(is it weird that I'm like. intensely proud of you? I feel like a parent. all of you are my writing kids now I'm sorry I don't make the rules)
Favourite line: You only rise after you've memorised the taste/ Of falling
I'm assuming that at this point you've already recorded and possibly already entered it? So it seems a bit rude of me to go in with any lengthy critique. not that I think it desperately needs anything, tbh - this is about as polished as it gets.
I only noticed two words that made me pause - "likens" in the third line, because in the context of "Depression" being the one performing the action (as it were) it almost sounds as if Depression was the one doing the comparing. which is a bit odd? if that makes sense? idk, "turns" might fit the meaning better here, possibly?
I was about to ask whether "red and white life preserver" is really what that's called and I looked it up and I think it is?? like "life preserver" is the actual, legit, technical English term for those red and white floaty things that you hold on to?? and that rocked my world. what is your language and how does it work.
So I guess I only have one word I'd recommend revising haha
[me: all of you are my writing kids and I feel like a proud parent!!!
me, five minutes later: how is English. what is English. language is hard. I am but a fool who knows absolutely nothing]

so yeah. all the best with the competition!! I'd love to hear more about how it goes, if you're willing to share!

unfortunately, i never did get to enter. it's really hard to record things right now, with everyone home, and i got a gnarly ass sunburn that's making me hate myself. i might actually record it anyway at some point and post it on youtube though!

to be entirely fair, it took me five minutes and asking my boyfriend to remember the word life preserver, because it really shouldn't exist

as for the critique, you're actually really right?? it has been Changed and i appreciate that so much

i'm glad you like it! i'm really proud of myself for the steps i've made when it comes to progress, and sitting there re-writing it made me feel like a whole new person. i can attribute that a lot to you and the chat, actually, for helping me figure out what's wrong with my writing and how to fix it!