We're getting new windows on Monday so I need to clean my room, and I have a ton of audiobooks piling up that I need to listen to, so my plan for today is attempt to clean my room while finishing some of the audiobooks and probably watching way too much youtube. Except I feel like shit and I don't wanna do anything please yell at me to do stuff
Today I learned horse hooves are like gigantic freaking fingernails, not bones or anything, they cannot feel pain through them and they grow a lot.
It only took me two minutes into a video of someone cutting, chipping, sanding, hammering nails, and full on sawing off large chunks of their hooves before I realized this.
My personal version of centaurs (which is only my version, my merpeople should be for everyone though) have long black blunt fingernails for digging.
you know that moment when you're composing a piece and you're trying to make it haunting but not too haunting, and so you're like I know I'll Have this part be a minor third and above this part and then you're like, nope to much haunting and you try every thing you can think of to do it the easy was and you realize that the tune you wrote is already haunting in its self so you can just live your lifeβ¦..
I just sent my friend a video in which I begin with a cucumber, and narrate "a cucumber" to fit. Then, I zoomed out, revealing a watermelon that happens to be very cucumber-like in color. I then chime in with "a chonky cucumber"
Update:
STUPID TRIPLET HARMONY WHY YOU NO BLEND RIGHT
honestly I feel that. What notes are you trying to harmonize
The main melody is a very repetitive almost hypnotic with repetition, A,C,A,C,A,C,G,. all of them are quarter notes and the last one is a half note. and I want there to be an upper triplet or waltz like part dancing over it, of F,C,B F,C,B split into triplets. If I make the half note's match then it works. So I figured it out, the beats weren't matching up at first but I made it work.
That makes sense. I prefer to work with E, D, and A minor. For some reason I love the way those specific minors sound. I have no idea why, I just feel them.
Oh something that's helped me is that I just fool around on a recorder, and just record myself playing random lines and phrases that come into my head. Then like after 10 minutes, I'll stop, rewind it, and listen. If I like a phrase, I'll edit it out and put it by itself. Then I'll open it up, and see what notes I was playing. It's very fun to see what happens.
my friend from home is here visiting her aunt so we got lunch at the most beautiful cafe and then went to this really cool bookshop and then hung out in the garden at randyland (which is the most beautiful place in the world, google it, if everything looked like randyland my depression would be cured)
Arpeggios might work if you want to put in a harp. But for some reason it sound a half step off. Between the cello and the pan flute. (I'm in a trio with a clarinet and a cello, and me playing the flute) The best thing if you want cello is have them play softer, and let them focus more on whole and half notes. The quarter and eighth notes for a cello sounds scattered. Unless it is a cello solo, then let them run. But do not go beyond 16th notes. (Unless you were going for a crunch sound, then it sounds great!) And for a sad and kinda hopeful vibe, E minor does wonders. I hope this can help you! Feel free to PM me if you want. I'd love to help you make this your masterpiece. π
Keyboard Controls
The following keyboard controls are supported across Notebook.ai.
All keyboard controls are disabled when editing a document or notebook page.