
@Tired-but-passionate
“Ah, well…” Jayme hesitated. Explaining his typical work day is honestly a little difficult. “I’ll answer that last question first. Often my commissions involve both a subject and prop, so you’d have to hold or touch objects without dropping or breaking them. That’s, uh, that’s actually why there’s so many things in here.” He gestured vaguely around the room. “The living room also acts as a prop room of sorts. Also, I may ask for your critiques on thumbnails, sketches, things I’m deciding on, things like that. Just so that I have an outside opinion, you see.”
After a few moments of thinking, he continued, “I suppose my work day is… deceptively simple. You’d think I just draw and paint all day. But sometimes I have to spend time just planning and thumb-nailing. Seeing what works, what looks good, and what doesn’t. I have to send those sketches to the art departments of the magazines and newspapers that commission me, and see what they think and if it works within their budget and creative vision. Sometimes someone will come over to check on the progress and give feedback. Then when I’m finished, I have to send the piece back to the art department so they they can send it to the printing and publishing department. I… I would say about half of it is the typical drawing and painting, and the other half is answering phone calls, meetings, and sending things to places.”
Then he laughed a little. “Hours vary, if I’m being honest. I get tunnel vision whenever I’m working on something, so I forget…” he trailed off. Maybe this wasn’t the best time to mention that he’d been forgetting to eat and sleep because he was so focused on work. “I forget when to stop,” he amended, dropping his hand from his chin and letting his arm rest on his leg. He lowered his voice. “So I have to be reminded.”