Betty and Veronica: The Veronica to Nicoletta's Betty for Medea's Archie. Delilah seems to accept Medea for who she is, while Nicoletta is still struggling to come to terms with Medea’s darkest nature. Delilah clearly enjoys the punishing Nero Angelo Medea has become, while Nicoletta hopes she’ll reconnect with her own goodness. What’s interesting is that, despite how different they are, they both genuinely want what’s best for her. Delilah believes that true love means acceptance, that Medea shouldn’t have to change to be worthy of care. Nicoletta believes that real love pushes people to be better, to heal.

Genki Girl: Delilah can get incredibly hyper when she’s happy or excited about something, which, let’s be honest, is pretty much all the time when she’s around the V7D.

The Hedonist: She’s not exactly a devoted follower of the Cult of Anima, but let’s be real—she lives like she’s trying to make the God of Light proud. If there’s fun to be had, she’s in. She spends most of her free time soaking up everything life has to offer, indulging in every thrill and pleasure she can get her hands on. Growing up as a Drekar in some tiny town, the world outside was a mystery—now that she’s out in it, everything feels new and exciting. And if anyone tries to kill her vibe when she’s off the clock? Yeah, they’re gonna have a problem.

Loved by All: People are quick to make friends with her. Even Nicoletta, who openly admits feeling jealous of Delilah for stealing Medea’s attention, can’t bring herself to hate her and actually admits that Delilah gives amazing hugs. It’s also worth noting that, while she’s still not a fan, Miyuki isn’t entirely opposed to Delilah traveling with the V7D. She never outright asks her to leave, which is a huge step up from how she treats most people—Miyuki tends to treat anyone she doesn’t like like a pest, especially when it comes to the idea of a fifth member in the V7D. Delilah’s just that hard to hate.

Nice Girl: While she’s a massive hedonist and not exactly the best influence on Medea, it doesn’t change the fact that she’s genuinely sweet, kind, and friendly. Even when she tries, Nicoletta just can’t bring herself to hate her.

Make-Out Kids: Delilah doesn’t need much of an excuse to get Medea to start making out with her.

Romantic False Lead: Delilah is not only Medea’s first onscreen girlfriend, but also her first real attempt at a relationship—something deeper than just one-night stands—since leaving the Norrington Household. However, since the ultimate plan is for Medea and Nicoletta to end up together, their breakup is inevitable.

Dating What Daddy Hates: Delilah mentions she’s in no rush to introduce Medea to her parents, mostly because they’re extreme homophobes. They might even go so far as to blame her for "turning their daughter gay" with her "demonic pussy.''

Ivy League for Everyone: She’s a professor and department head at the University of Naples Federico II, the very same university that Yuki attends.

Closet Key: Downplayed. She’d found other women attractive before Medea, but the Nero Angelo was the first one she actually tried to flirt with and date.

Big Breast Pride: She has a Buxom Beauty Standard figure, something she points out with pride multiple times.

Intrigued by Humanity: She’s intrigued by humanity, or more specifically, the pleasures, fun, and self-indulgent activities it has to offer—like vodka, wild parties, tourist attractions, lasagna, weed, and, of course, topping Medea.

Hot Teacher: Delilah is a seriously attractive college professor at the University of Naples Federico II. She’s tall, curvy, and has those killer looks that can’t be ignored, often showing a bit of cleavage. Some of her students even say she gives off a dominatrix vibe. Medea can confirm—those students aren’t wrong.

Too Much Information: Delilah doesn’t mind sharing details about her and Medea’s love life with the V7D—things most couples would rather keep private. Medea usually has to step in and stop her before she reveals too much.

Love at First Sight: Whether it was love or just attraction, she felt drawn to Medea almost immediately after meeting her. She asked her to stay after class to deliver something to Miyuki, then stuck around after class to give Medea her number and address, letting her know she was welcome to visit on the weekend. Since it was obvious Medea felt the same way, she didn’t waste any time taking her up on the offer.

Minored in Asskicking: She’s not a fighter, though she enjoys watching the V7D in action. However, she’s surprisingly skilled at using her tail to grab people—maybe even strangling someone who tries to attack Medea.

Hot for Student: At first, she was introduced as someone with an interest in youth, which could easily be mistaken for an interest in her students. This leads the audience to think she might be trying to hook up with Yuki. But it turns out to be a red herring. She actually comes across more motherly toward her students—especially when she talks to Yuki about her grades, assignments, and gives that kind of caring, 'keep working hard' advice. In the end, she turns out to be more interested in Medea.

Bunny-Ears Lawyer: She’s an easygoing, fun loving hedonist who spends her free time smoking weed and living for self-indulgence. However, she’s also a highly capable college professor with a PhD, and her knowledge of ancient texts and languages proves to be incredibly useful to the V7D from time to time—so much so that she could be considered their unofficial scholar. The problem? She honestly doesn’t care to apply any of that outside her job and would rather focus on enjoying her hedonistic lifestyle, even though she could make a lot of the V7D’s missions a lot easier with her help.

• She also genuinely wants to help her students. She’s genuine about encouraging them to stick with their degrees. She believes she can keep teenagers and young adults from turning into deadbeats by being a teacher who makes her classes enjoyable and gets them invested in what they’re learning.

Toxic Girlfriend Influence: Delilah isn’t a bad person, but her selfishness and carefree attitude do get in the way of Medea’s character development. Since Delilah loves and accepts Medea exactly as she is, flaws and all, Medea doesn’t feel any real push to change—even if it’s for her own good.

Cuteness Proximity: Even though she initially claimed she was just lustfully attracted to Medea when they first met, it was later revealed that Delilah thought Medea was so tiny and cute that she couldn’t resist the urge to cuddle her. Sure, their relationship started with more sparks than sentiment, but over time, it’s become clear that there’s way more to them than just physical desire. These days, they’re often seen curled up together, gently stroking each other’s hair, or just being ridiculously sweet. That said, their relationship still has a healthy balance of old-school romance and pure, unfiltered sexual chemistry.

Good Bad Girl: She’s always been the type to flirt just for the fun of it, effortlessly charming and completely unapologetic about the way she lives her life. No regrets, no excuses—just pure, shameless indulgence in whatever makes her happy. But underneath all that, she’s a genuinely good person with a big heart, and she absolutely loves her job as a teacher. It’s one of the few things she takes seriously, one of the few places where her usual devil-may-care attitude takes a backseat. You can see it when she’s in the classroom—how her whole demeanor shifts, how she lights up when she sees a student finally grasp a concept, how she somehow makes learning feel less like a chore and more like something exciting.

Buxom Beauty Standard: The bustiest character in the manga, even more so than Nicoletta. And very proud of it!

TALIAs TV TROPES:

Evil Counterpart: Inverted. Considering the fact that both Talia and Mariya share a past with Medea, there’s a certain familiarity to their dynamic. The two are, in a way, flip sides of the same coin—both succubi with ties to the V7D, but with drastically different approaches to their relationships and their sexuality.

• Mariya, on one hand, is a remorseless and dangerous force. She’s a serial predator with little care for the well-being of those she beds. Her intentions are self-serving, and she exerts her dominance without any concern for consent or safety. Her actions leave a trail of broken trust and pain. Medea’s experience with Mariya is particularly traumatic, and whenever her name comes up, Medea visibly tenses, her body reacting with an obvious sense of unease. 
• Talia, on the other hand, is a seductive and sexually open succubus, someone who revels in the pleasures of intimacy, but she’s never malicious. While she’s flirtatious and promiscuous, she doesn’t seek to hurt or control anyone. When Medea explained the importance of ensuring that all sexual encounters are safe, sane, and consensual, Talia took those words to heart. She understood the significance of respecting boundaries and mutual desire, something Mariya never cared about.
• When she first crossed paths with the V7D, she was still learning, still growing. If it hadn’t been for Medea’s guidance, she could have easily ended up like Mariya—someone who took what they wanted without any consideration for the consequences. But Medea’s influence allowed Talia to become more mindful of her actions.

Ethical Slut: Talia is an omnisexual succubus who genuinely cares about each and every one of her countless lovers, past and present. She likes to say she’s incapable of falling in love, but anyone who meets her can tell she’s incredibly friendly and flirty—though never overbearing. She knows how to keep things light and fun, never pushing anyone too far, even when she’s interested. She’s also said, with a grin, that she’s had the kids of her favorite lovers—if they were up for it, of course.

Just Friends: She insists—and there’s nothing so far to prove otherwise—that succubi and incubi simply can’t feel romantic love. It’s not in their wiring, according to her. So no matter how much she truly cares about her past lovers or flings, in her eyes, they’re all just really good friends. Friends she’s incredibly fond of, sure, but nothing romantic. Not even the ones she’s had kids with. To her, it’s all part of the same platonic-but-deeply-caring category she’s made for herself—and she’s totally fine with that.

Ambiguous Situation: Before parting ways with the V7D after a brief reunion, Talia joked with Medea, saying, "I’ll have you meet our son one of these days." Medea rolled her eyes and shot back, "Yeah, yeah, real funny." But after a beat, she paused, her curiosity piqued, and asked again, "Wait, are you serious?" The succubus merely winked and disappeared.

Form Fitting Wardrobe: Whenever Talia actually decides to put on clothes—which isn’t often—they’re always tight enough to leave little to the imagination. Her outfits seem custom-designed to highlight every curve, but especially her hips.

Succubi: Just like the vampires in Norrington's Desire stick to the classic vampire tropes, succubi like Talia embody all the traditional traits you’d expect from a succubus:

• While she’s definitely got her share of demonic features—horns, glowing eyes, bright red skin with stripes, and a tail—Talia’s otherwise pretty humanoid, or more like a cute monster girl. In Norrington's Desire, succubi are actually the most human-looking of all demons. Most demons have to disguise themselves or possess someone to pass as human, but succubi skip that step entirely. Makes sense, right? Their whole deal is being irresistibly alluring to mortals—kind of hard to pull that off if you’re rocking an unappealing form.
• She’s almost always flirting—it’s practically her default setting. Honestly, it feels weirdly off when she’s not trying to charm someone or make a move to get into their pants.
• She couldn’t care less about the species or gender of her partners. What really matters to her is how good they are in bed and, occasionally, the potential of any child they might have together.
• She has the ability to slip into someone’s dreams and turn them into something... steamy, but only if they’re already asleep. That said, most of her partners tend to knock out cold once she’s, well, finished with them—wink.
• Being around Talia has the tendency to get people heated. When she was new to being a succubus, she leaned into that ability a lot, but after her first run-in with Medea, she’s barely used it since, telling her it’s way more effective to charm people the old-fashioned way—by just being herself. Plus,  she made Talia realize using that “aphrodisiac aura” could raise some uncomfortable questions about consent.
• Succubi and Incubi are the only demons that can actually reproduce. All other demon breeds are infertile, which is why demonkind doesn’t have to worry about going extinct, but also makes sure Laurel avoids demon overpopulation. The offspring of a succubus or incubus can be pretty much anything—hellhounds, imps, even torturers—so there’s no shortage of variety.

Cuddle Bug: Talia has this habit of randomly hugging Medea, Nicoletta, and Quincey—just because she feels like it. Whether things stop at just a hug or take a different turn usually depends on how the other three feel about it in the moment.

The Tease: As you’d expect from a succubus, Talia spends plenty of time flirting with everyone in the V7D—except Yuki, of course, because Yuki scares her. But once she finds out Nicoletta and Medea are dating, she backs off without much fuss... well, not before cheekily suggesting a threesome. Still, she steps away after that, more or less gracefully.

NICOLO ARGENTOs TROPES:

Absurdly Elderly Father: It’s downplayed, but still pretty surprising for an Italian man in the '90s. In Nicoletta's flashback, when she was just a week away from turning 15, Nicolo was shown to look pretty damn good for a 50-year-old. That means he and his wife had Nicoletta when he was around 35—especially odd considering it was a time when couples typically started having kids right after getting married.

Silver Fox: He is even favorably compared to Pierce Brosnan.

Cool Old Guy: Sir Nicolo Argento is a refined, well-respected Italian gentleman. Well-educated and boasting a solid build for a man of his age. He’s a crack shot with a rifle who imparted all he knew to his daughter, a master of deception when the situation calls for it, and an exceptional hunter. His wardrobe, adorned with various furs, and his home, packed with expertly mounted trophies of his conquests, speak volumes about his prowess and passion for the hunt. He’s also a genuinely kind, wise, and all-around good man who raised Nicoletta into the ideal heroine she is today. No tragic backstory, no drama—just a father who did right by his daughter. Oh, and he’s got some musical talent too—can strum a mean ballad on the guitar. Even Medea couldn’t resist joining in with her flute for an impromptu duet, completely unaware at the time that she was jamming with her future father-in-law!

Action Dad: He’s the one who taught Nicoletta everything she knows about marksmanship. And sure, he might not have a fancy magic gun, but don’t let that fool you—he’s still sharp as ever, even at his age. If he were a few years younger, he’d probably make a killer addition to the V7D crew.

Beware the Nice Ones: Nicolo is, without a doubt, one of the kindest, most easygoing old men you’ll ever have the pleasure of meeting. He’s the type who’ll invite you in for a beer even if you’re practically a stranger, the kind who laughs easily and carries himself with the sort of warmth that makes you feel at home. He’s sweet, patient, and always ready to share a story or a joke, or play his guitar just because... but unlike his daughter, if he decides you’re a problem, if he deems it necessary, he won’t hesitate to put a bullet in your ass. 

MALAKAIs TV TROPES

Animal Motif: Mandrills.  His reddish-brown hair and the deep red hue of his pelt might make you think of an orangutan at first. However, the warpaint smeared across his face, bold and vibrant, mimics the snout of a mandrill. His teeth—human, but just off enough to be unsettling—resemble a mandrill’s fangs, sharp and prominent. Then, there’s the way he moves. He has a habit of perching on high places, surveying everything beneath him like a king watching over his domain. He howls, a sound that can send a shiver down the spine of anyone who knows what it means—a warning, a challenge, or the prelude to something violent (though he's not above using it just to scare someone for fun). He also sucks at swimming, actually. Then there's the transformation. When backed into a corner, when he truly believes his life is on the line, his body reacts on instinct. Skin stretches, muscles shift, bones crack and reform into a weremandrill.

Pelts of The Barbarian: Seems that way. But the orange fur on the pelt is actually part of his body, a remnant of his mandrill transformation.

Trauma Conga Line: No matter how much blame he lays on Quincey, there’s no denying that Malakai’s life had already started spiraling long before he turned into a weremandrill. Things weren’t just bad—they were colossally bad, a downward plunge that felt more like a freefall with no bottom in sight.And then came the transformation. Even after everything, he still goes back and forth on how much it really got to him. 

Ascended to Carnivorism: Most of the time, Malakai is seen munching on fruit—though, contrary to the stereotype, he’s more of a pear guy than a banana enthusiast. One time the V7D actually had a moment to breathe and decided to treat themselves to a fancy dinner. Quincey had been looking forward to one thing the entire night—a perfectly cooked, high-end steak... And then Malakai took it. Not out of hunger. Not because there wasn’t any other food on the table. No, he did it just to be an ass. Just to rub it in. He locked eyes with Quincey, took a slow, deliberate bite, and made a point of enjoying it.

• Judging by how much he seemed to like it, it’s safe to say that, much like real mandrills, Malakai’s more of an omnivore than he lets on. He might prefer fruit, but he’s got no problem tearing into meat when the opportunity—or the pettiness—calls for it.

Roaring Rampage of Revenge: Malakai’s vendetta against Quincey is about as textbook as a revenge plot gets—he wants payback, plain and simple. In his eyes, Quincey is the reason he lost everything—his job, his reputation, his sponsorships, his contracts. And to top it all off, Quincey humiliated him in the ring, in a fight Malakai swears was rigged from the start.

Attack! Attack! Attack!: Malakai’s approach to a fight is about as subtle as a wrecking ball—throw fists, throw them fast, and throw them hard. No fancy footwork, no patience, just pure aggression. And sure, sometimes it works. But more often than not, it’s also exactly why he ends up getting his ass handed to him.

• That’s where the real gap between him and Freki lies. It’s not just strength or speed—Malakai’s got plenty of both. The difference is control. Freki, even in his wolf form, keeps his mind sharp. He doesn’t let the transformation turn him into a mindless beast. Malakai? The second he shifts, he fights like a rabid mandrill—wild, brutal, but reckless as hell. And that’s why, no matter how much of a struggle it is, Quincey can still just barely manage to take Malakai down. But Freki? Heh, you can predict an animal’s rage. But you can’t predict a predator who still knows how to think.

Involuntary Shapeshifting: Malakai’s transformation isn’t too different from traditional lycanthropy—at least in principle. But unlike the classic werewolf curse, his transformation isn’t dictated by some cosmic force—it’s pure, biological desperation. Malakai doesn’t get to choose when or if it happens. It’s his body’s ultimate survival mechanism, kicking in only when he’s convinced he’s about to die. Which, in a way, makes it even worse. Because when Malakai shifts, it means one thing—he’s scared. And a cornered animal is always the most dangerous kind.

Red is Violent: Even before he transforms. The guy’s got bright red fur—not just in his weremandrill form, but even as a human. A sharp red mohawk, a matching beard, and a pelt of the same striking color draped over his shoulders. Except it’s not just draped—it’s actually part of him, another reminder that he’s not quite like everyone else.

Non-Malicious Monster: Even if he doesn’t look like it, Malakai seems to have at least some control over his bloodlust, even when he’s fully transformed. There’s a method to his madness—if he shifts in public, for instance, he doesn’t just go on a blind rampage. He makes a beeline straight for the V7D, his focus locked on the one person he truly hates. Any civilians unlucky enough to be in his way? They’re shoved aside, rough but not fatal, or simply left to scatter. He’s not interested in them. And while he does end up attacking the other three members of the V7D, it only happens after they step in to protect Quincey. 

• Later, there are moments that prove he’s not just an unthinking beast. One time, he manages to calm himself enough to stand still, humans right in front of him, without lashing out, just letting them run away. Another, he’s drawn in by the sound of Medea’s flute—completely transfixed, almost tamed by the melody. 
• At the end of the day, Malakai as a weremandrill isn’t just a rampaging monster. He’s a wild animal—one part terrified, one part starving, and entirely fixated on beating Quincey to a bloody pulp.

HOLLOWs TV TROPES:

Atrocious Alias: Nicoletta nicknamed the unknown masked woman ''Hollow'' based on the little to no information they had about her (mostly focused on the fact that she seemed to target Medea mostly).

Being Tortured Makes You Evil: The suggestion is pretty clear: Eve started off as a harmless being, seemingly satisfied with her newfound existence. However, after enduring weeks of agonizing experiments under Warren's "care" (before she was demoted to being just another "unsuccessful experiment"), and considering her genetic material was unstable, causing her to develop severe bodily issues including being in constant pain, she was warped into a vengeful creature.

Alas, Poor Villain: It's hard not to feel sorry for her. She spent her entire life being ruthlessly experimented on and forcibly 'trained,' isolated from any real human connection. She was barely fed and grew dangerously thin because of it. On top of that, she was such a genetic mess that her body was actually deteriorating, even though her potential for growth was greater than Medea’s, something she’s fully aware of. In the end, she sees Eve as a victim of humanity's mistreatment and Warren's negative influence, and it even brings a few tears of frustration to her eyes.

Deconstruction: When Eve was created, Warren's only goal was to build a powerful, intimidating, and intelligent body that mirrored his own thought patterns. He mistakenly believed this would make it easier to transfer his mind into her, thinking they would be compatible. As a result, everything about Eve—her strange abilities, her extreme aggression, and even her psychopathy—was a direct consequence of being artificially engineered to be monstrous. When Warren asks for an explanation of her behavior, his daughters simply tell him that you can't give a creature all these different traits from other people, while enhancing its worst qualities, without triggering corresponding behavioral traits. Add her heightened intelligence to the mix, and you get something genuinely terrifying. This is the very reason why Medea was specifically allowed to be raised by normal, loving parents.

Cold Ham: Much like Medea, Eve almost never raises her voice. But when she speaks, her words carry weight—every syllable measured and deliberate, with a tone that’s dramatic and commanding. Unlike Medea, though, Eve’s restraint might actually be out of necessity. She suffers from a respiratory condition, so shouting would probably just make her condition worse than it already is.

Big Bad Wannabe: While Eve successfully claims the Nero Angelo title from Medea and proves dangerous to the V7D due to her adaptive capability, she is easily dealt with by Freki as soon as she targets him. In the end, Medea shows that Eve only beat her because she ambushed her while she was already hurt. And then, when Medea later finds Eve limping away after getting wrecked by Freki, she finishes her off, knowing Eve won’t give up the title unless it’s in a fight to the death.

Strong, but Unskilled: A monster engineered both scientifically and magically, Hollow has the strength and brains but lacks real experience. This is clear during the encounter with Medea and Freki. While Hollow is adaptable and formidable, Freki, the High Chief, is a battle-hardened fighter, shaped by countless battles defending his position at the top of the du Cronos Dynasty. The failed assassination attempt on Freki was one of the first times Hollow faced an opponent who wasn’t intimidated, knew how to fight, actually fought back, and was much bigger than she was. Freki also has the advantage of having already defeated one half of the V7D while being locked in a constant rivalry with Medea, meaning he's no stranger to facing people on Hollow’s level or even stronger.

Shadow Archetype: Warren took his own twisted psyche— Every ounce of hatred, every shred of bitterness, every seething drop of contempt he had for the world—it all became the foundation upon which Eve was built, shaping Eve into a living, breathing demonstration of what Medea would have become if she had been raised by his hands instead. From the moment she "was born," she carried the weight of his darkest thoughts, warped memories, and most vile traits, amplified to horrifying extremes. But that wasn’t enough for him. He subjected her to unspeakable torment, grotesque experiments, and endless suffering, only to discard her like a broken tool when he was done. It’s no wonder she completely lost her grip on reality.

Cain and Abel: She is the Cain to Medea's Abel. Neither of them planned for things to go down this path. In her final moments, with death looming, she finally confides in Medea that even though she has no regrets about her quest for vengeance, she would've loved to have a life where they could wander together, existing as sisters in each other's lives. It's a sad echo of the tale of Emma and Kiara, the genetic models they were created from.

The Cynic: Hollow is the most cynical and bitter of Warren's creations, holds the belief that no one deserves a second chance, as she never had a first chance to begin with.

Medea: He was full of joy and potential for greatness!
Eve: ...Have you forgotten that so was I?

Flawed Prototype: Due to the damaged state of her genetic composition, Eve, the prototype for the sixth stage of the hybrid magical container bioweapon project, suffers from Clone Degeneration. She has a respiratory disease, and her skin is deteriorating gradually.

Tortured Monster: Since she was intentionally designed to be as aggressive and brutal as possible and raised in complete isolation, with constant physical punishment whenever she did something Warren disapproved of, Medea believes her actions are driven by a lack of understanding of how to interact with her surroundings. On top of that, the idea of mercy is so foreign to her that she sees every living creature as a threat.

Tragic Monster: The more we learn about Eve, the less she seems like a stronger, darker version of Medea and more like a twisted mass of burnt, decaying flesh, always shedding silent tears. Her every movement, every word, screams of a pain so deep, so unrelenting, that it’s hard to imagine how she endures it. Simply existing seems like torture for her. Her regeneration, what should be her salvation, is nothing short of torture. The process rips through her like fire and glass, tearing her apart as it stitches her back together. It heals her only to prolong her suffering, forcing her to relive the pain over and over again, a brutal reminder that even her own body is her enemy. Her rage isn’t born from evil—it’s born from despair. She isn’t trying to destroy life itself out of malice but out of desperation. Every ounce of her hatred is aimed at a world that shaped her suffering and denied her even a shred of mercy. She burns with a singular, tragic desire: to end it all, to tear down the world that let her become this, and in its destruction, finally destroy herself.

Medea: ''Eve doesn’t want victory; she wants release. She wants an end to the agony that has been the only constant in her existence. Every tear she sheds, every scream she swallows, is a plea for peace—a peace she feels she will never have until everything, including herself, is gone.''

Adaptive Ability: At first, she’s relatively easy to handle, especially given the V7D's expertise and experience. But Hollow's mutations give her abilities that make her perfectly suited to battle a conventional military force. She starts replicating Medea's memories, using them to study and counter the V7D’s tactics, steadily increasing her threat as they continue to face her.

Curb-Stomp Battle: Hollow’s plan to take out Freki doesn’t even get off the ground. She sneaks in, thinking she’s got the drop on him while he’s "asleep," but he’s only playing possum. He traps her with the bedsheets and absolutely wrecks her, leaving her in rough shape. The only thing she manages to pull off is slightly tarnishing Medea’s already questionable reputation as Nero Angelo—not that Medea’s rep was spotless to begin with.

Mood Swinger: To say Eve is "unstable" is being pretty nice about it, considering how easily she plunges into sadness and explodes with anger.

Reptilians are Abhorrent: Her deteriorating skin gives the impression that it's turning into reptilian scales, especially around her neck. It's suggested that Warren tried to use dragon DNA on Hollow, but since Medea’s skin shows no signs of scaling, it’s likely just another side effect of Hollow’s patchwork genetics. Something Warren probably noticed and decided to leave out when he created Medea.

Worf Had the Flu: Though it may not have made a substantial difference in the battle's outcome, starting the fight severely wounded and bleeding out probably expedited her defeat and eventual death by Medea.

Curb-Stomp Cushion: While limping away from her beatdown by Freki, she runs into Medea, who, though not fully recovered, is well enough to calmly ask Eve to return the Nero Angelo outfit. Eve, obviously uninterested, engages in a one-sided fight that was always going to end in Medea's favor, although Eve manages to land a few good hits—likely because Medea hadn't fully healed.

Go Mad From the Isolation: The traumatic experiences of her past have left her with deep emotional scars and a severe lack of social skills. Her ability to communicate with Medea only serves to highlight the extreme isolation she has endured, having been deprived of any meaningful connection or relationship with anyone other than her creator, who has only brought her pain and suffering. This has undoubtedly contributed to her developing a disturbed and morally questionable personality, leading her down a dark path of violence and chaos.

Hidden Depths: Despite her intense animosity towards Medea, she acknowledges that ultimately, Warren was the one who stripped her of everything, and that Medea was as much a victim of the Norrington Patriarch as she was. It's surprising that Eve would turn to the person she resented the most for comfort in her final moments.

Lean and Mean: She's taller than Medea but more lanky, with long limbs and a strikingly sunken, skeletal face—at least, before her skin started to deteriorate.

Freudian Excuse: It is frequently stated by Medea that the various events since her creation—being kept in an overly cramped container, Warren's preoccupation with her abilities over her well-development, and her isolation from anyone other than the madman who brought her into existence—have contributed to her growth into an unstable, extremely violent sociopath. The ongoing physical pain resulting from bodily mutilations and skin degeneration further complicates her situation.

Sickly Prodigy: A telltale sign of her suffering from a genetic decay-induced illness is her peeling skin and irregular breathing. However, her menacing presence and skills are not diminished in any way, and she remains as intimidating and capable as Medea.

Meaningful Name: She was named after the first woman in Judeo-Christian religions, but to Warren, she was just another failed attempt to create his Magnum Opus. Her creation, however, was not in vain, as it provided him with crucial knowledge that eventually led to the successful creation of Medea as the seventh attempt. Despite this, she remained a forgotten and discarded failure, with her only legacy being the knowledge that she had helped pave the way for someone else's success.

''Eve was born into mist and agony, molded by a life that never showed her even a glimpse of genuine compassion. She's full of sharp edges and bitter resolve, a creature whose every scar tells of survival, not kindness. To her, compassion is something foreign, almost laughable—a concept that others cling to, but one that’s always been out of her reach. So, when Medea comes along and offers her something resembling kindness, she can’t make sense of it. Why would anyone help her? She’s convinced there’s no reason in this cruel world to be anything but relentless, to return the pain that shaped her by leaving her own mark, as jagged and unforgettable as the wounds she bears. She has no intention of fading into the background. Her pain demands to be felt, and she’s determined that the world will never forget her name. Her fury burns like the fire that birthed her, and she won't allow herself to be the only one... Hollow...''

Driven to Madness: The cruel fate of being an incomplete clone of a person, who was deemed unworthy and abandoned before receiving the complete genetic template is enough to push one towards the brink of madness.

Obviously Evil: You'll notice her facial scars and skin deterioration, along with her always-present Death Glare, and that'll clue you in to what makes her different from Medea.

Evil is Bigger: Eve is noticeably bigger than Medea, which is strange considering their genetic templates were identical twins. But it's likely a trait that Warren intentionally added. That being said, being taller than Medea's small frame isn't exactly impressive, Eve still falls short compared to Nicoletta.

Bullying a Dragon: Eve knows full well that Freki has faced off against Medea, even outmaneuvering her in her Seraphim form. Trying to take on the Tribal Chief, no matter how convinced she was of her abilities, turned out to be just as disastrous as it sounds.

• Even though Medea was weakened by injury, Eve's decision to ambush her, beat her up, steal her Nero Angelo outfit, and arrogantly dismiss her as "just a woman" was incredibly short-sighted. Eve had already experienced firsthand what Medea is capable of,  especially if given the chance to heal from her injuries rather than being finished off.

Cloning Blues: Eve is utterly enraged with The 7th Attempt and Warren Norrington for not even giving her a chance to develop, as she was the alleged "imperfect" 6th attempt that was rejected before the conception of The Eye. Medea is the target of most of her rage, though.

Artificial Family Member: Eve's rage is fueled by the knowledge that she is the clone of Kiara's twin sister, Emma Norrington Jr., making her feel like a distorted reflection of what should have been. Meanwhile, Medea, who is a clone of Kiara, attempts to mend their strained relationship by appealing to their shared genetic bond. However, Eve's thirst for vengeance consumes her so completely that she cannot see beyond the pain and betrayal she feels towards the Eye, rendering any hope of reconciliation futile.

Clone Degeneration: Medea's heart started pounding as she uncovered the truth that "Hollow" was none other than Eve, the sixth experiment in Warren's project. Her face, hidden behind the mask she had just destroyed, was now revealed to be a damaged and decaying copy of Medea's own face, a result of the clone's gradual deterioration.

THE SEVEN DEADLY SINS:

With Akane du Cronos: Freki du Cronos, Sin of Wrath. (The Great Red Wolf)

With Alice Halman: Kirari Halman, Sin of Pride. (Half-Human Princess)

With Diorah: Ma'at du Cronos, Sin of Sloth. (Dragon Demigod)

With The Morrigan: Viserhyon du Cronos, Sin of Lust. (Golden Dragon)

With Ayuuki Strafford: Misaki Strafford, Sin of Envy. (The Vampire)

With Mr. Hammond: Evelyn ''Evey'' Hammond, Sin of Gluttony. (Blue Dragon)

With Aherys: Scáthah, Sin of Greed. (Red Giant Dragon)