MARY AND MEGANs TV TROPES
A-Cup Angst: Mary admits to Freki that she is afraid that he cares more for Megan than for her because her bust is not as large as Megan's. But Freki assures her that's not and never will be the case. And hey, they had that one argument, but afterward, they made up... in a really flexible way.
Identical Twin ID Tag: Apart from a few minor things like hair length and chest size, the twins come across as virtually indistinguishable in terms of looks and sound.
Cute Little Fangs: As befitting their dhampir nature.
Always Identical Twins: Yeah, the twins used to be super identical, especially when they were younger. Even in the present, all it takes for Megan to appear nearly identical is a slight haircut and some clothing that doesn't emphasize her chest.
Color-Coded Characters: Black for Mary, White for Megan.
The Fashionista: They both match their husband's outfits with costumes that are both fashionable and stylish.
Angsty Surviving Twin: Despite recovering her ability to convey emotions, Megan was heartbroken that it came with the sacrifice of her sister's life. Perhaps this is what leads her to dote on Juni, sometimes even more than her own son.
Magical Girlfriend: Freki's beloved dhampir girlfriends, travel partners, confidants, consorts, and mothers of his children.
Betty and Veronica: In a non-hostile way, Megan acts as the Veronica to Mary's Betty. In particular, Mary and Megan take quite different methods to get closer to Freki; Mary is more timid and inexperienced about doing so, but Megan has no such concerns and is much more upfront.
Two Siblings In One: So, when Mary passes away, her sister Megan kind of assimilates her essence (yeah, it's a bit bzarre), but it actually allows Megan to start feeling emotions again.
Mafia Princess: Pretty self-explanatory. They're Freki's wives, unquestionably one of the most powerful criminal leaders in the dragon realms.
Memento MacGuffin: Mary creates one (the bronze headgear) for a very young Juni. This eventually turned out to be more than just a gift for her child.
Baby Factory: What Mary first believed Freki wanted them for. The females in the southern dragon realm were viewed as nothing more than expendable pieces for the race's expansion. But turns out, they found in Freki a lover who actually cares about them as individuals, not just breeding tools. Freki has made it clear that their success and survival are his top priorities, and he's never forced them to have children. He prefers letting things happen naturally when they feel it's the right time for it.
Twincest: Usually when they're alone. Though, while they're with Freki...
Half-Human Hybrid: Their father was a full-blooded vampire and their mother was a human witch and part of the Cult of Anima.
Polar Opposite Twins: Mary's personality is fiery, outgoing, and laid-back compared to Megan, who tends to be more serious and distant. However, it's worth noting that Megan's demeanor might not be intentional since she's cursed with the inability to show emotions other than anger or sadness.
Theme Twin Naming: Mary and Megan. This trend continues with their children, James and Juni (though those two are not twins, with James being three years older).
Violently Protective Girlfriends: Even though he's capable of taking care of himself, they're always ready to step in and protect their husband. They were also not too pleased when The V7D (a team involving three ladies) came looking for Freki, and Medea requested a private meeting with him.
Property of Love: Mary is pretty possessive towards Freki, calling him "her" or "their" wolf, and is unwilling to share him with anyone else. She becomes visibly aggressive and defensive when others attempt to come between them. On the other hand, Megan is more level-headed about the situation, but she still holds a strong desire to protect and keep Freki to themselves.
Red Eyes, Take Warning: Having red eyes is pretty much the standard for vampires. But the twins, they take it up a notch with their intense, crimson-red eyes. It sets them apart from Miyuuki, whose eyes are more of a vibrant scarlet red. It's like a clear sign that these two dhampirs and the vampire from the V7D are in a league of their own.
Covert Pervert: So, when they're out in public, the twins play it cool and classy, showing off their status in the Dynasty. But behind closed doors? Oh boy, things get hot and steamy. They don't hold anything back when it comes to their love and desire for Freki and each other.
Birds of a Feather: Megan and Freki clearly have lots of similarities, at least in terms of how stoic and seemingly unemotional they can be.
Bought Down to Normal: Just like Miyuuki, there's this time when the twins become totally human. But unlike Yuuki, who's a full-on vampire and loses her powers at dawn and gets them back at sunset every day, the twins have their own thing going on. For the last ten days of each month, they forcefully transform into regular humans. And then, like clockwork, when the new month begins and the sun sets, they go back to being their usual selves.
Boyish Short Hair: Mary sports shoulder-long hair to differentiate her from her sister, who has waist-long hair.
Fair-Play Villain: Despite being rude, snobbish, and unpleasant towards their ''guests'', they don't resort to cheating during Freki's confrontation with Quincey. In their 4-on-4 showdown against the V7D, they establish fair ground rules and actually abide by them. Their worst offense is trash-talking their opponents, but that's as far as it goes.
Gentle Touch vs. Firm Hand: Parenting-wise at least. Mary and Freki are the "firm hand" to Megan's "gentle touch".
Ambiguous Disorder: While this was a consequence of giving Mary all of her emotions rather than a medical disorder, but Megan shows some signs of autism, with her stoic demeanour, monotone voice, and inability to understand how people interact with each other.
Disappeared Dad: Their father (a vampire) abandoned the twins and their mother when they were young, which was one of the reasons Mary was originally insecure about her love for Freki.
Made of Iron: Megan is either this or has a high pain tolerance. She can withstand having Freki (a 255-pound behemoth) slammed over against her. Mostly played for laughs.
Emotionless Girl: Megan, though this is tragically subverted once Mary dies, finally getting her emotions back.
The Comically Serious: Megan's humorous moments borrow from her lack of visible reaction to anything and her blunt, straightforward nature, even more than her boyfriend.
Shameless Fanservice Girl: They both qualify, but especially Megan, she has no issue with Freki publicly groping her whatsoever, although these are mostly accidental.
Older Than They Look: They're both young adults when they meet Freki, yet they could pass for teenagers. It becomes evident when Juni is a teenager and Megan doesn't appear to have aged a day.
Dull Eyes of Unhappiness: Megan's default expression, even if she's, in her head, sqweaking like a high schooler.
Undeathly Pallor: The twins are unusually pale in comparison to everyone else due to their vampire status and the fact that they spend the majority of their time indoors.
Kuudere: Megan always has a deadpan expression on, even when excited.
Vampires Are Sex Gods: If you judge by how blissful and relaxed Freki looks when he emerges from the bedroom, it's safe to say that the twins are incredible in bed.
I Am Not Pretty: Downplayed; Mary believes she is unattractive in comparison to her sister. Freki often reassures her that she is gorgeous and that she loves her as much as Megan.
Red Oni, Blue Oni: Mary is the lively and energetic red to Megan's more stoic and subdued blue.
Hates Being Touched: Subverted. Mary most certainly does not hate being touched. But she acts as if she is because she is afraid of what would happen if she stays in physical contact for too long. Only Freki and Megan can actually touch her for more than 30 seconds.
Major Injury Underreaction: Megan never reacts to any kind of injury (real or fake) more strongly than in a calm manner.
The Stoic: Megan, even more than her boyfriend. Will have a neutral expression even when everyone else is freaking out.
OWEN/KAWREN DU CRONOS:
The Ace: This dragon is a real overachiever. He's not only the only one of Geist's three children that he actually acknowledges, but he's also possibly the strongest, knows first aid methods, is praised and beloved by anybody who met him and is fluent in multiple languages. This dragon does it all, and does it with style - which is probably why his brother Anthony got jealous enough to consider murder!
Always Someone Better: It seems that no matter what Anthony tries to do, Kawren always seems to have done it better. Except for the whole "staying alive" thing. This begs the question: was he just really bad at being alive, or was he so skilled at dying that he made it look easy?
Chronic Hero Syndrome: This guy's got a serious case of the hero complex! He's always itching to save the day, or rather, itching to bask in the glory and ass-licking that come with it. But this ''noble'' ambition causes some major tension between him and his siblings, especially Anthony.
Competition Freak: This guy has the du Cronos blood flowing through his veins, which means he's got a natural urge to outdo everyone, even his own flesh and blood. You know how some people just can't resist the urge to one-up others? Well, he's got that urge on steroids, and he's not afraid to flaunt it.
Insufferable Genius: He's got a serious case of "look at me, I'm the greatest" syndrome. He loves to show off his skills and achievements, even when they're not that impressive. It's so annoying that you just want to throw a punch at him, or in Anthony's case, plan his murder. He even tries to play down his abilities, like when he claims to only know a little bit of French, when in reality he's a fluent speaker. And when his sister Amy calls him out on it, he just brushes it off like it's no big deal.
Parody Sue: The man who is good at everything, Kawren. He was created to be so good that it's annoying. He can speak multiple languages, is a master of combat, and can even give a killer Heimlich manoeuvre. However, his one weakness is that he's terrible at reading people and has no clue that his siblings are sick of his perfection. He just keeps on bragging and humble-bragging, not realizing that it's driving everyone nuts. Sure, he's not the best at staying alive, but that's a small price to pay for being so damn good at everything else.
Take That!: Kawren is my ''take that!'' on the Mary Sues/Gary Stus. He's ridiculously good, and everything he does and anybody who meets him praises him. He is beloved by various female characters and a few male ones, and is considered the only one of the three siblings, in Geist's eyes, to be worthy of challenging him for his throne. He's so good at everything that it's annoying, it's sickening, and his inner circle hates him for it. In the end, he gets outmanoeuvred by Anthony's cleverness, who basically manipulates Kawren into weakening himself and Geist, so when she joins the battle, both of them are too worked up to put up a good fight and get the throne for herself instead. And after that, even though Kawren had no issue with Anthony being Emperor, he got pele kicked in the skull and brutalized to death for all of his perfection. Petty and disproportionatey? Probably. Cathartic to see Kawren's perfect ass being handed to him? Absolutely.
Allergic to Routine: Kawren is like a walking ball of excitement, constantly looking for new things to do and new people to interact with. He gets restless with routine and seeks out adventure wherever he can find it, whether that means stirring up trouble in a village, starting a brawl for no good reason, or investigating a juicy murder mystery. The problem is that this tendency to go off-script and do his own thing causes major headaches for the du Cronos Siege Party. If only he could stick to the plan and avoid unnecessary conflicts, things might go a lot more smoothly for everyone involved. But where's the fun in that?
Ambition is Evil: If you were to describe Kawren as evil, it might be a bit of a stretch... but it's hard to deny that his competitive spirit and obsession with being the top dog bring out some not-so-great qualities. In fact, his perfectionism and desire to one-up everyone else are what ultimately leads to him butting heads with his siblings, especially Anthony, who starts developing deep murderous fratricidal tendencies the more time Kawren exists alongside her.
Black and White Insanity: Kawren was so confident in his abilities and knowledge that he believed he could do no wrong. If anyone dared to contradict him, he dismissed them as clueless and beneath him, much to the annoyance of his fellow teammates in the du Cronos Siege Party. This egotistical behaviour proved to be a major problem in a series where working together is key to survival.
Decoy Protagonist: If "In the Lair of the Crimson Emperor" was a classic 80s-90s action story, Kawren would surely be the quintessential male protagonist. With his blonde hair, athletic build, and impressive combat skills, he's practically perfect in every way. He's got brains, brawn, and a harem of admirers falling at his feet. But this isn't some cheesy, outdated story – it's Anthony's spinoff, and she's not about to let Kawren hog the spotlight forever. Despite his, or perhaps due to his adoring fans, his perfection quickly wears thin on her and leads to her decision to kill him.
MARIYAs TV TROPES:
Betty and Veronica: Medea found herself in a bit of a jam, caught between Nicoletta and Mariya. She started to worry that she was betraying Nicoletta on by spending time with Mariya. But when things almost got heated with Mariya, she hit the brakes, trusting that Nicoletta wouldn't pull anything behind her back. Too bad, Mariya doesn't exactly take rejection well.
Full-Frontal Assault: It's safe to assume that, as a Succubus, Mariya doesn't bat an eye at the whole nudity thing.
Luminiscent Blush: Whenever she pretended to be human, she always had a blush when around Medea. She said it was genuine, but it's hard not to think it was just another way to get closer to her.
Rape Is A Special Kind Of Evil: Mariya, along with Mia, are the only two who manage to push Nicoletta to the point where she’s willing to break her no-kill rule. She was ready to erase Mariya entirely and even managed to vaporize her wings to a point where they couldn’t regenerate. So, what did these two do to make the usually sweet and ideal hero Nicoletta even consider a lethal strike? They both assaulted Medea.
- She is eventually killed by Medea and Donatello in ND10.
Honey Trap: Her goal was to get close to Medea, hoping to either win her heart or, if that fell flat, force her to share parenthood.
All Take and No Give: This goes beyond just Medea. When it’s revealed that, as a succubus, Medea is just the latest in a long line of Mariya's victims, it becomes clear that Mariya takes pleasure in her role of creating more and more demons. The feelings of her partners don’t matter to her at all. In fact, she keeps her daughter, Kaguya, close only as long as she’s useful to her.
You Have Outlived Your Usefulness: In her reunion with her former "lover" – or rather, prey – Medea, Mariya concluded that Kaguya was too troublesome to shape into a weapon capable of taking down Seraphim. As a result, she decided to devour her daughter to extract any remaining useful magic for herself. Thankfully, Medea and Donatello stepped in.
Didn't Think This Through: It doesn't dawn on her until she thinks she's harmed Medea that assaulting the wife of her goddess's human incarnation, who's clearly superior, was a terrible mistake. Cue Nicoletta discovering her ability to turn demons into nothingness by vaporizing Mariya's wings with a look.
Shameless Fanservice Girl: She has no qualms about showing off her body in front of Medea whatsoever.
Knight of Cerebus: Just a whisper of her name is enough to extinguish the light in Medea's eyes, casting a heavy, gloomy atmosphere, and whenever she shows up, hardly anyone is pleased to see her. Despite being less imposing than other antagonists, the fallout from her actions and her unsettling rape of Medea inevitably injects a dramatic edge into any situation.
Villaineses Want Heroines: Although she initially didn't know about Medea being the Nero Angelo, it certainly helped with her lust for her.
Charm Person: Her and the other succubi and incubi can magically charm humans into becoming fixated on them. Interestingly, this doesn't work on Medea. It's unclear if it's because she's the Eye of Laurel or because she's not a regular human who Mariya can enchant.
- It seems to be more about the latter, especially considering that Nicoletta can also resist her allure. The key word here is "resist" – unlike Medea, Nicoletta isn't immune to it, she just has the willpower to fight it.
DON FEDERICO ROMANOs TV TROPES:
Affably Evil: In a very clear contrast to Valentino. You know, when he's not knee-deep in all that cartel shenanigans, he actually comes across as a bit of a mate. Like, he's proper decent with Nicoletta and Yuuki, even when you can tell he's got a right bee in his bonnet (and to be fair, who wouldn't with the way things are going?). And he even buries the hatchet with Medea once she puts an offer on the table that he just can't turn down.
An Offer You Can't Refuse: Don Federico plays hardball with Medea and threatens her life, it all stems from a botched arms deal back in her younger days. Seems she got in the middle and scuppered the sale before it could go through with the buyer. She comes back at him with an offer he can't say no to. She dangles the carrot of primo Italian turf to settle her debt with him (and, just quietly, she's secretly cooking up a recipe for his downfall and his entire cartel's undoing, but you know, minor details!).
Card-Carrying Villain: Oh, the ever-so-noble Federico, unlike the oh-so-subtle Valentino and Freki, who are all about maintaining their pristine images, our dear don Federico here revels in his esteemed position as a top-tier drug peddler, weapon supplier, and general psycho killer. No charades or masks for him, he parades his shadowy tendencies with a flourish... hence why The V7D found it an absolute breeze to dismantle his cartel and ship him off to the cozy confines of incarceration. Perhaps a tad of mentoring from the fine fellows Valentino and Freki wouldn't have gone amiss, wouldn't you agree?
Foil: To Valentino.They're both top dogs in the criminal world, both crossed paths with the V7D crew, and both have a history with one of the V7D's raven-haired members. However, Federico's mainly out for a good time, enjoying the dosh, fame, and status that comes from running a cartel, whereas Valentino's dead set on climbing the ranks to be the head honcho of the Italian underworld while pushing his vampire-flavoured Nazi-like nonsense. Medea and Federico don't have any past together until she ruined his arms deal, but Valentino has a special bond with Yuuki since he's her father. Oh, and mind you, Federico's just an everyday Joe armed to the teeth, a human through and through, whereas Valentino's a bloodsucking monstrosity.
Secretly Wealthy: Despite residing in a modest abode within some backstreet locale of a Colombian city, David's actually sitting on a hefty pile of dosh. He's got more money than any of the other wrongdoers the V7D has encountered prior to Valentino. Must be all thanks to his booming criminal cartel. And the cherry on top? He's content to hang around in Cartagena, dishing out commands, instead of living the supposed high life in the US. That means his outgoings are way lower compared to the dollars his cartel is hauling in. Clever move, in my book.
The Cartel: Oh, what a splendid attempt at character assassination! To associate Mr. Rivadeneira's enterprise with that oh-so-charming term "cartel" is simply a stroke of genius, isn't it? Because, clearly, he's just a pristine and upstanding businessman who had the unfortunate luck of being unfairly implicated in a little Colombian-American gun trafficking and drug dealing affair. Bravo! Oh, what a remarkable legal victory that was, wasn't it? A trial and an acquittal, how quaint! It's not like the vanishing witnesses and their sudden bout of stage fright could possibly indicate anything remotely suspicious. Details, details, who needs 'em? After all, it's just a matter of words, isn't it? "Innocent until proven guilty," or more like "innocent until the witnesses take an extended vacation from reality."
Wrong Genre Savvy: David thinks he's some kind of untouchable powerhouse with all his money, power, and connections. Well, that might have worked against regular folks. But going toe-to-toe with a bunch of hard-as-nails soldiers – four of 'em – who've stared down the Italian mafia, demons, beasts, and the du Cronos Dynasty? Well, that's a whole new kettle of fish. Yuuki even makes it clear that David's tryna grease palms and work out deals is a lost cause. She's a bloody irrational vampire dead-set on getting his blood, no matter what he tries.
Bullying a Dragon: Oh, dear David, he really had no inkling of the storm that was about to hit him square in the face when he had the pleasure of encountering Medea once more after all those years. Let's be fair, shall we? The last glimpse he had of her was when she was a mere novice, oh-so-impressionable and stumbling through rookie blunders like a champ. But my, oh my, how the tables have turned. In the present day, well...DELILAHs TV TROPES:
Betty and Veronica: The Veronica to Nicoletta's Betty for Medea's Archie. Delilah seems to accept Medea for who she is, while Nicoletta is still struggling to come to terms with Medea’s methods. Delilah clearly enjoys the punishing Nero Angelo Medea has become, while Nicoletta hopes she’ll reconnect with her own goodness. What’s interesting is that both of them genuinely want what’s best for Medea—Delilah believes that accepting her as she is what Medea truly deserves, while Nicoletta thinks that helping her become a better version of herself is what she deserves.
Genki Girl: Delilah can get incredibly hyper when she’s happy or excited about something, which, let’s be honest, is pretty much all the time when she’s around the V7D.
The Hedonist: While she is not actively a practicant of the Cult of Anima, she certainly has a lifestyle that would make the God of Light proud. She spends most of her free time enjoying all the fun things humanity has to offer. Raised as a Drekar in a small town, everything about this world is new and exciting to her. She doesn't take kindly to anyone trying to stop her from enjoying it.
Loved by All: People are quick to make friends with her. Even Nicoletta, who openly admits feeling jealous of Delilah for stealing Medea’s attention, can’t bring herself to hate her and actually admits that Delilah gives amazing hugs. It’s also worth noting that, while she’s still not a fan, Miyuki isn’t entirely opposed to Delilah traveling with the V7D. She never outright asks her to leave, which is a huge step up from how she treats most people—Miyuki tends to treat anyone she doesn’t like like a pest, especially when it comes to the idea of a fifth member in the V7D. Delilah’s just that hard to hate.
Nice Girl: While she’s a massive hedonist and not exactly the best influence on Medea, it doesn’t change the fact that she’s genuinely sweet, kind, and friendly. Even when she tries, Nicoletta just can’t bring herself to hate her.
MakeOut Kids: Delilah doesn’t need much of an excuse to get Medea to start making out with her.
Romantic False Lead: Delilah is not only Medea’s first onscreen girlfriend, but also her first real attempt at a relationship—something deeper than just one-night stands—since leaving the Norrington Household. However, since the ultimate plan is for Medea and Nicoletta to end up together, their breakup is inevitable.
Dating What Daddy Hates: Delilah mentions she’s in no rush to introduce Medea to her parents, mostly because they’re extreme homophobes. They might even go so far as to blame her for "turning their daughter gay" with her "demonic pussy.''
Ivy League for Everyone: She’s a professor and department head at the University of Naples Federico II, the very same university that Yuki attends.
Closet Key: Downplayed. She’d found other women attractive before Medea, but the Nero Angelo was the first one she actually tried to flirt with and date.
Big Breast Pride: She has a Buxom Beauty Standard figure, something she points out with pride multiple times.
Intrigued by Humanity: She’s intrigued by humanity, or more specifically, the pleasures, fun, and self-indulgent activities it has to offer—like vodka, wild parties, tourist attractions, lasagna, weed, and, of course, topping Medea.
Hot Teacher: Delilah is a seriously attractive college professor at the University of Naples Federico II. She’s tall, curvy, and has those killer looks that can’t be ignored, often showing a bit of cleavage. Some of her students even say she gives off a dominatrix vibe. Medea can confirm—those students aren’t wrong.
Too Much Information: Delilah doesn’t mind sharing details about her and Medea’s love life with the V7D—things most couples would rather keep private. Medea usually has to step in and stop her before she reveals too much.
Love at First Sight: Whether it was love or just attraction, she felt drawn to Medea almost immediately after meeting her. She asked her to stay after class to deliver something to Miyuki, then stuck around after class to give Medea her number and address, letting her know she was welcome to visit on the weekend. Since it was obvious Medea felt the same way, she didn’t waste any time taking her up on the offer.
Minored in Asskicking: She’s not a fighter, though she enjoys watching the V7D in action. However, she’s surprisingly skilled at using her tail to grab people—maybe even strangling someone who tries to attack Medea.
Hot for Student: At first, she was introduced as someone with an interest in youth, which could easily be mistaken for an interest in her students. This leads the audience to think she might be trying to hook up with Yuki. But it turns out to be a red herring. She actually comes across more motherly toward her students—especially when she talks to Yuki about her grades, assignments, and gives that kind of caring, 'keep working hard' advice. In the end, she turns out to be more interested in Medea.
Bunny-Ears Lawyer: She’s an easygoing, fun loving hedonist who spends her free time smoking weed and living for self-indulgence. However, she’s also a highly capable college professor with a PhD, and her knowledge of ancient texts and languages proves to be incredibly useful to the V7D from time to time—so much so that she could be considered their unofficial scholar. The problem? She honestly doesn’t care to apply any of that outside her job and would rather focus on enjoying her hedonistic lifestyle, even though she could make a lot of the V7D’s missions a lot easier with her help.
- She also genuinely wants to help her students. She’s genuine about encouraging them to stick with their degrees. She believes she can keep teenagers and young adults from turning into deadbeats by being a teacher who makes her classes enjoyable and gets them invested in what they’re learning.
Toxic Girlfriend Influence: Delilah isn’t a bad person, but her selfishness and carefree attitude do get in the way of Medea’s character development. Since Delilah accepts her as she is, Medea doesn’t see any reason to try and change, not even for the better.
Cuteness Proximity: Even though she initially claimed she was just lustfully attracted to Medea when they first met, it was later revealed that Delilah actually thought Medea was just so small and cute, and couldn’t help but want to cuddle her. While their relationship started off feeling more physical than emotional, Medea and Delilah are often shown cuddling, stroking each other, and just being sweetly close, rather than always being focused on their desire for each other. That said, their relationship still has a healthy balance of old-school romance and pure, unfiltered sexual chemistry.
Good Bad Girl: She’s always been a flirty, hedonistic, and shameless woman with no regrets about her behavior, but deep down, she’s a good and honest person who truly loves teaching.
Buxom Beauty Standard: The bustiest character in the manga, even more so than Nicoletta. And very proud of it!
TALIAs TV TROPES:
Evil Counterpart: Inverted. Considering the fact that both Talia and Mariya share a past with Medea, there’s a certain familiarity to their dynamic. The two are, in a way, flip sides of the same coin—both succubi with ties to the V7D, but with drastically different approaches to their relationships and their sexuality.
- Mariya, on one hand, is a remorseless and dangerous force. She’s a serial predator with little care for the well-being of those she beds. Her intentions are self-serving, and she exerts her dominance without any concern for consent or safety. Her actions leave a trail of broken trust and pain. Medea’s experience with Mariya is particularly traumatic, and whenever her name comes up, Medea visibly tenses, her body reacting with an obvious sense of unease.
- Talia, on the other hand, is a seductive and sexually open succubus, someone who revels in the pleasures of intimacy, but she’s never malicious. While she’s flirtatious and promiscuous, she doesn’t seek to hurt or control anyone. When Medea explained the importance of ensuring that all sexual encounters are safe, sane, and consensual, Talia took those words to heart. She understood the significance of respecting boundaries and mutual desire, something Mariya never cared about.
- When she first crossed paths with the V7D, she was still learning, still growing. If it hadn’t been for Medea’s guidance, she could have easily ended up like Mariya—someone who took what they wanted without any consideration for the consequences. But Medea’s influence allowed Talia to become more mindful of her actions.
Ethical Slut: Talia is an omnisexual succubus who genuinely cares about each and every one of her countless lovers, past and present. She likes to say she’s incapable of falling in love, but anyone who meets her can tell she’s incredibly friendly and flirty—though never overbearing. She knows how to keep things light and fun, never pushing anyone too far, even when she’s interested. She’s also said, with a grin, that she’s had the kids of her favorite lovers—if they were up for it, of course.
Ambiguous Situation: Before parting ways with the V7D after a brief reunion, Talia joked with Medea, saying, "I’ll have you meet our son one of these days." Medea rolled her eyes and shot back, "Yeah, yeah, real funny." But after a beat, she paused, her curiosity piqued, and asked again, "Wait, are you serious?" The succubs merely winked and disappeared.
Form Fitting Wardrobe: Whenever Talia actually bothers to wear clothes, her outfits are still so tight they highlight her figure—especially her hips.
The Tease: As you’d expect from a succubus, Talia spends plenty of time flirting with everyone in the V7D—except Yuki, of course, because Yuki scares her. Though when they first met her and her fellow succubi, Talia’s attempts at flirting were cute but awkward, almost endearing in how adorkable they were. But by the time they run into her again? She’s got the art of seduction down to a science—still friendly and playful, but now she knows exactly when to dial it back if someone’s not into it.
HOLLOWs TV TROPES:
Atrocious Alias: Nicoletta nicknamed the unknown masked woman ''Hollow'' based on the little to no information they had about her (mostly focused on the fact that she seemed to target Medea mostly).
Being Tortured Makes You Evil: The suggestion is pretty clear: Eve started off as a harmless being, seemingly satisfied with her newfound existence. However, after enduring weeks of agonizing experiments under Warren's "care" (before she was demoted to being just another "unsuccessful experiment"), and considering her genetic material was unstable, causing her to develop severe bodily issues including being in constant pain, she was warped into a vengeful creature.
Alas, Poor Villain: It's hard not to feel sorry for her. She spent her entire life being ruthlessly experimented on and forcibly 'trained,' isolated from any real human connection. She was barely fed and grew dangerously thin because of it. On top of that, she was such a genetic mess that her body was actually deteriorating, even though her potential for growth was greater than Medea’s, something she’s fully aware of. In the end, she sees Eve as a victim of humanity's mistreatment and Warren's negative influence, and it even brings a few tears of frustration to her eyes.
Deconstruction: When Eve was created, Warren's only goal was to build a powerful, intimidating, and intelligent body that mirrored his own thought patterns. He mistakenly believed this would make it easier to transfer his mind into her, thinking they would be compatible. As a result, everything about Eve—her strange abilities, her extreme aggression, and even her psychopathy—was a direct consequence of being artificially engineered to be monstrous. When Warren asks for an explanation of her behavior, his daughters simply tell him that you can't give a creature all these different traits from other people, while enhancing its worst qualities, without triggering corresponding behavioral traits. Add her heightened intelligence to the mix, and you get something genuinely terrifying. This is the very reason why Medea was specifically allowed to be raised by normal, loving parents.
Big Bad Wannabe: While Eve successfully claims the Nero Angelo title from Medea and proves dangerous to the V7D due to her adaptive capability, she is easily dealt with by Freki as soon as she targets him. And in the end Medea ultimately finishes her off after realizing Eve won't relinquish the title without a fight to the death.
Strong, but Unskilled: A monster engineered both scientifically and magically, Hollow has the strength and brains but lacks real experience. This is clear during the encounter with Medea and Freki. While Hollow is adaptable and formidable, Freki, the High Chief, is a battle-hardened fighter, shaped by countless battles defending his position at the top of the du Cronos Dynasty. The failed assassination attempt on Freki was one of the first times Hollow faced an opponent who wasn’t intimidated, knew how to fight, actually fought back, and was much bigger than she was. Freki also has the advantage of having already defeated one half of the V7D while being locked in a constant rivalry with Medea, meaning he's no stranger to facing people on Hollow’s level or even stronger.
Cain and Abel: She is the Cain to Medea's Abel. Neither of them planned for things to go down this path. In her final moments, with death looming, she finally confides in Medea that even though she has no regrets about her quest for vengeance, she would've loved to have a life where they could wander together, existing as sisters in each other's lives. It's a sad echo of the tale of Emma and Kiara, the genetic models they were created from.
The Cynic: Hollow is the most cynical and bitter of Warren's creations, holds the belief that no one deserves a second chance, as she never had a first chance to begin with.
Medea: He brimmed with joy and potential for greatness!
Eve: ...Have you forgotten that so did I?
Flawed Prototype: Due to the damaged state of her genetic composition, Eve, the prototype for the sixth stage of the hybrid magical container bioweapon project, suffers from Clone Degeneration. She has a respiratory disease, and her skin is deteriorating gradually.
Tortured Monster: Since she was intentionally designed to be as aggressive and brutal as possible and raised in complete isolation, with constant physical punishment whenever she did something Warren disapproved of, Medea believes her actions are driven by a lack of understanding of how to interact with her surroundings. On top of that, the idea of mercy is so foreign to her that she sees every living creature as a threat.
Adaptive Ability: At first, she’s relatively easy to handle, especially given the V7D's expertise and experience. But Hollow's mutations give her abilities that make her perfectly suited to battle a conventional military force. She starts replicating Medea's memories, using them to study and counter the V7D’s tactics, steadily increasing her threat as they continue to face her.
Curb-Stomp Battle: Hollow's plan to kill Freki falls apart before she can even get close; Freki pretends to be snoozing, catches her with the sheets, and gives her a thrashing, leaving her badly hurt. The only thing she manages to do is briefly tarnish Medea's reputation as Nero Angelo, but that doesn't last. In contrast...
Mood Swinger: To say Eve is "unstable" is being pretty nice about it, considering how easily she plunges into sadness and explodes with anger.
Reptilians are Abhorrent: Her deteriorating skin gives the impression that it's turning into reptilian scales, especially around her neck. It's suggested that Warren tried to use dragon DNA on Hollow, but since Medea’s skin doesn’t show any signs of turning into scales... maybe it's just another side effect of Hollow’s mismatched genetics.
Worf Had the Flu: Though it may not have made a substantial difference in the battle's outcome, starting the fight severely wounded and bleeding out probably expedited her defeat and eventual death by Medea.
Curb-Stomp Cushion: While limping away from her beatdown by Freki, she runs into Medea, who, though not fully recovered, is well enough to calmly ask Eve to return the Nero Angelo outfit. Eve, obviously uninterested, engages in a one-sided fight that was always going to end in Medea's favor, although Eve manages to land a few good hits—likely because Medea hadn't fully healed.
Go Mad From the Isolation: The traumatic experiences of her past have left her with deep emotional scars and a severe lack of social skills. Her ability to communicate with Medea only serves to highlight the extreme isolation she has endured, having been deprived of any meaningful connection or relationship with anyone other than her creator, who has only brought her pain and suffering. This has undoubtedly contributed to her developing a disturbed and morally questionable personality, leading her down a dark path of violence and chaos.
Hidden Depths: Despite her intense animosity towards Medea, she acknowledges that ultimately, Warren was the one who stripped her of everything, and that Medea was as much a victim of the Norrington Patriarch as she was. It's surprising that Eve would turn to the person she resented the most for comfort in her final moments.
Lean and Mean: She's taller than Medea but more lanky, with long limbs and a strikingly sunken, skeletal face—at least, before her skin started to deteriorate.
Freudian Excuse: It is frequently stated by Medea that the various events since her creation—being kept in an overly cramped container, Warren's preoccupation with her abilities over her well-development, and her isolation from anyone other than the madman who brought her into existence—have contributed to her growth into an unstable, extremely violent sociopath. The ongoing physical pain resulting from bodily mutilations and skin degeneration further complicates her situation.
Sickly Prodigy: A telltale sign of her suffering from a genetic decay-induced illness is her peeling skin and irregular breathing. However, her menacing presence and skills are not diminished in any way, and she remains as intimidating and capable as Medea.
Meaningful Name: She was named after the first woman in Judeo-Christian religions, but to Warren, she was just another failed attempt to create his Magnum Opus. Her creation, however, was not in vain, as it provided him with crucial knowledge that eventually led to the successful creation of Medea as the seventh attempt. Despite this, she remained a forgotten and discarded failure, with her only legacy being the knowledge that she had helped pave the way for someone else's success.
''Eve was born into mist and agony, molded by a life that never showed her even a glimpse of genuine compassion. She's full of sharp edges and bitter resolve, a creature whose every scar tells of survival, not kindness. To her, compassion is something foreign, almost laughable—a concept that others cling to, but one that’s always been out of her reach. So, when Medea comes along and offers her something resembling kindness, she can’t make sense of it. Why would anyone help her? She’s convinced there’s no reason in this cruel world to be anything but relentless, to return the pain that shaped her by leaving her own mark, as jagged and unforgettable as the wounds she bears. She has no intention of fading into the background. Her pain demands to be felt, and she’s determined that the world will never forget her name. Her fury burns like the fire that birthed her, and she won't allow herself to be the only one... Hollow...''
Driven to Madness: The cruel fate of being an incomplete clone of a person, who was deemed unworthy and abandoned before receiving the complete genetic template is enough to push one towards the brink of madness.
Obviously Evil: You'll notice her facial scars and skin deterioration, along with her always-present Death Glare, and that'll clue you in to what makes her different from Medea.
Evil is Bigger: Eve is noticeably bigger than Medea, which is strange considering their genetic templates were identical twins. But it's likely a trait that Warren intentionally added. That being said, being taller than Medea's small frame isn't exactly impressive, Eve still falls short compared to Nicoletta.
Bullying a Dragon: Eve knows full well that Freki has faced off against Medea, even outmaneuvering her in her Seraphim form. Trying to take on the Tribal Chief, no matter how convinced she was of her abilities, turned out to be just as disastrous as it sounds.
- Even though Medea was weakened by injury, Eve's decision to ambush her, beat her up, steal her Nero Angelo outfit, and arrogantly dismiss her as "just a woman" was incredibly short-sighted. Eve had already experienced firsthand what Medea is capable of, especially if given the chance to heal from her injuries rather than being finished off.
Cloning Blues: Eve is utterly enraged with The 7th Attempt and Warren Norrington for not even giving her a chance to develop, as she was the alleged "imperfect" 6th attempt that was rejected before the conception of The Eye. Medea is the target of most of her rage, though.
Artificial Family Member: Eve's rage is fueled by the knowledge that she is the clone of Kiara's twin sister, Emma Norrington Jr., making her feel like a distorted reflection of what should have been. Meanwhile, Medea, who is a clone of Kiara, attempts to mend their strained relationship by appealing to their shared genetic bond. However, Eve's thirst for vengeance consumes her so completely that she cannot see beyond the pain and betrayal she feels towards the Eye, rendering any hope of reconciliation futile.
Clone Degeneration: Medea's heart started pounding as she uncovered the truth that "Hollow" was none other than Eve, the sixth experiment in Warren's project. Her face, hidden behind the mask she had just destroyed, was now revealed to be a damaged and decaying copy of Medea's own face, a result of the clone's gradual deterioration.
THE SEVEN DEADLY SINS:
With Akane du Cronos: Freki du Cronos, Sin of Wrath. (The Great Red Wolf)
With Alice Halman: Kirari Halman, Sin of Pride. (Half-Human Princess)
With Diorah: Ma'at du Cronos, Sin of Sloth. (Dragon Demigod)
With The Morrigan: Viserhyon du Cronos, Sin of Lust. (Golden Dragon)
With Ayuuki Strafford: Misaki Strafford, Sin of Envy. (The Vampire)
With Mr. Hammond: Evelyn ''Evey'' Hammond, Sin of Gluttony. (Blue Dragon)
With Aherys: Scáthah, Sin of Greed. (Red Dragon)